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https://doi.org/10.14619/0146

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Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect

[collection]

Lindeperg, Sylvie
Szczepanska, Ania
Chassigneux, Nathalie
Lalou, Serge
Magnien, Agnès
Mondzain, Marie-José
Périot, Jean-Gabriel
Sené, Xavier

Abstract

Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film ... view more

Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.... view less

Keywords
digitalization; archives; picture; film; audiovisual media; copyright

Classification
Information and Documentation, Libraries, Archives

Document language
English

Publication Year
2021

Publisher
meson press

City
Lüneburg

Page/Pages
143 p.

Series
Configurations of Film Series

ISBN
978­-3­-95796-­014­-6

Status
Published Version; peer reviewed

Licence
Creative Commons - Attribution-ShareAlike 4.0


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