dc.contributor.author | Lindeperg, Sylvie | de |
dc.contributor.author | Szczepanska, Ania | de |
dc.contributor.author | Chassigneux, Nathalie | de |
dc.contributor.author | Lalou, Serge | de |
dc.contributor.author | Magnien, Agnès | de |
dc.contributor.author | Mondzain, Marie-José | de |
dc.contributor.author | Périot, Jean-Gabriel | de |
dc.contributor.author | Sené, Xavier | de |
dc.date.accessioned | 2021-12-13T13:28:51Z | |
dc.date.available | 2021-12-13T13:28:51Z | |
dc.date.issued | 2021 | de |
dc.identifier.isbn | 978-3-95796-014-6 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/76254 | |
dc.description.abstract | Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice. | de |
dc.language | en | de |
dc.publisher | meson press | de |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.title | Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.publisher.country | DEU | de |
dc.publisher.city | Lüneburg | de |
dc.source.series | Configurations of Film Series | |
dc.subject.classoz | Information und Dokumentation, Bibliotheken, Archive | de |
dc.subject.classoz | Information and Documentation, Libraries, Archives | en |
dc.subject.thesoz | Digitalisierung | de |
dc.subject.thesoz | digitalization | en |
dc.subject.thesoz | Archiv | de |
dc.subject.thesoz | archives | en |
dc.subject.thesoz | Bild | de |
dc.subject.thesoz | picture | en |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | audiovisuelle Medien | de |
dc.subject.thesoz | audiovisual media | en |
dc.subject.thesoz | Urheberrecht | de |
dc.subject.thesoz | copyright | en |
dc.rights.licence | Creative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-ShareAlike 4.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10063943 | |
internal.identifier.thesoz | 10036724 | |
internal.identifier.thesoz | 10039295 | |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10036934 | |
internal.identifier.thesoz | 10040422 | |
dc.type.stock | monograph | de |
dc.type.document | Sammelwerk | de |
dc.type.document | collection | en |
dc.source.pageinfo | 143 | de |
internal.identifier.classoz | 1080501 | |
internal.identifier.document | 24 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.14619/0146 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 24 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.identifier.series | 1503 | |
internal.pdf.wellformed | true | |
internal.pdf.ocr | null Page_2 Page_10 Page_12 Page_146 | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |