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[phd thesis]

dc.contributor.authorWolf, Jonasde
dc.date.accessioned2024-09-30T14:50:40Z
dc.date.available2024-09-30T14:50:40Z
dc.date.issued2024de
dc.identifier.isbn978-3-8394-7382-5de
dc.identifier.issn2702-8984de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/96899
dc.description.abstractYouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.otherRemix Culture; Musical Aesthetics; Vernacular; Composition; Media Aesthetics; Sound; Media Studiesde
dc.titleRe-Composing YouTube: Vernacular Musical Aesthetics in the Digital Agede
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839473825.pdfde
dc.source.volume105de
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesMedia Studies
dc.subject.classozinteraktive, elektronische Mediende
dc.subject.classozInteractive, electronic Mediaen
dc.subject.classozMedieninhalte, Aussagenforschungde
dc.subject.classozMedia Contents, Content Analysisen
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.thesozSoziale Mediende
dc.subject.thesozsocial mediaen
dc.subject.thesozMusikde
dc.subject.thesozmusicen
dc.subject.thesozMediende
dc.subject.thesozmediaen
dc.subject.thesozPopkulturde
dc.subject.thesozpop cultureen
dc.subject.thesozMusikwissenschaftde
dc.subject.thesozmusicologyen
dc.subject.thesozDigitale Mediende
dc.subject.thesozdigital mediaen
dc.identifier.urnurn:nbn:de:0168-ssoar-96899-0
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10094228
internal.identifier.thesoz10048153
internal.identifier.thesoz10035302
internal.identifier.thesoz10048286
internal.identifier.thesoz10068552
internal.identifier.thesoz10083753
dc.type.stockmonographde
dc.type.documentDissertationde
dc.type.documentphd thesisen
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo278de
internal.identifier.classoz1080404
internal.identifier.classoz1080405
internal.identifier.classoz1080403
internal.identifier.document9
internal.identifier.document20
internal.identifier.ddc070
dc.identifier.doihttps://doi.org/10.14361/9783839473825de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.identifier.series2202
internal.dda.referencexmlxslt-bundlessource-363@@10039-9783839473825


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