dc.contributor.author | Wolf, Jonas | de |
dc.date.accessioned | 2024-09-30T14:50:40Z | |
dc.date.available | 2024-09-30T14:50:40Z | |
dc.date.issued | 2024 | de |
dc.identifier.isbn | 978-3-8394-7382-5 | de |
dc.identifier.issn | 2702-8984 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/96899 | |
dc.description.abstract | YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse. | de |
dc.language | en | de |
dc.publisher | transcript Verlag | de |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.other | Remix Culture; Musical Aesthetics; Vernacular; Composition; Media Aesthetics; Sound; Media Studies | de |
dc.title | Re-Composing YouTube: Vernacular Musical Aesthetics in the Digital Age | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.identifier.url | https://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839473825.pdf | de |
dc.source.volume | 105 | de |
dc.publisher.country | DEU | de |
dc.publisher.city | Bielefeld | de |
dc.source.series | Media Studies | |
dc.subject.classoz | interaktive, elektronische Medien | de |
dc.subject.classoz | Interactive, electronic Media | en |
dc.subject.classoz | Medieninhalte, Aussagenforschung | de |
dc.subject.classoz | Media Contents, Content Analysis | en |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | Other Media | en |
dc.subject.thesoz | Soziale Medien | de |
dc.subject.thesoz | social media | en |
dc.subject.thesoz | Musik | de |
dc.subject.thesoz | music | en |
dc.subject.thesoz | Medien | de |
dc.subject.thesoz | media | en |
dc.subject.thesoz | Popkultur | de |
dc.subject.thesoz | pop culture | en |
dc.subject.thesoz | Musikwissenschaft | de |
dc.subject.thesoz | musicology | en |
dc.subject.thesoz | Digitale Medien | de |
dc.subject.thesoz | digital media | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-96899-0 | |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
ssoar.contributor.institution | transcript Verlag | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10094228 | |
internal.identifier.thesoz | 10048153 | |
internal.identifier.thesoz | 10035302 | |
internal.identifier.thesoz | 10048286 | |
internal.identifier.thesoz | 10068552 | |
internal.identifier.thesoz | 10083753 | |
dc.type.stock | monograph | de |
dc.type.document | Dissertation | de |
dc.type.document | phd thesis | en |
dc.type.document | Monographie | de |
dc.type.document | monograph | en |
dc.source.pageinfo | 278 | de |
internal.identifier.classoz | 1080404 | |
internal.identifier.classoz | 1080405 | |
internal.identifier.classoz | 1080403 | |
internal.identifier.document | 9 | |
internal.identifier.document | 20 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.14361/9783839473825 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.identifier.series | 2202 | |
internal.dda.reference | xmlxslt-bundlessource-363@@10039-9783839473825 | |