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Passing and Posing between Black and White: Calibrating the Color Line in U.S. Cinema

[monograph]

Gotto, Lisa

Abstract

Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fac... view more

Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with disputing boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.... view less

Keywords
film; racism; cinema; media; culture; cultural history; race; ethnicity; United States of America

Classification
Other Media
Other Fields of Humanities

Free Keywords
Hollywood; America; Media Studies

Document language
English

Publication Year
2021

Publisher
transcript Verlag

City
Bielefeld

Page/Pages
246 p.

Series
Film

DOI
https://doi.org/10.14361/9783839453377

ISSN
2703-0466

ISBN
978-3-8394-5337-7

Status
Published Version; reviewed

Licence
Creative Commons - Attribution 4.0


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Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.