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Please use the following Persistent Identifier (PID) to cite this document:
https://doi.org/10.14765/zzf.dok-1605

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Caricature and Egypt’s Revolution of 25 January 2011

[journal article]

Ettmüller, Eliane Ursula

Abstract

Caricature can be defined as an art engagé which aims to transmit a social or political message. In order to achieve this goal, the satirical picture triggers an emotional reaction in the audience and guides it through a cathartic coming-of-awareness process. The feelings evoked by caricature must n... view more

Caricature can be defined as an art engagé which aims to transmit a social or political message. In order to achieve this goal, the satirical picture triggers an emotional reaction in the audience and guides it through a cathartic coming-of-awareness process. The feelings evoked by caricature must not necessarily be expressed through laughter; but they are a joyful or indignant shock reaction to gazing at something absurd. William A. Coupe, following Schiller, therefore defines the nature of caricature as the outcome of a dialectical struggle between the ideal and the real: ‘This conflict of ideal and real may, however, be seen and expressed in two different ways, in an emotional and serious or in a humorous and jesting fashion.’... view less

Classification
General History
Political Process, Elections, Political Sociology, Political Culture

Free Keywords
Alltag; Politik; Kultur; Kunst; Kommunikation; Medien; Emotionen; Visual History; Geistes- und Ideengeschichte; Intellectual History; Soziale Bewegungen; Protest; Transformation

Document language
English

Publication Year
2012

Page/Pages
p. 138-148

Journal
Zeithistorische Forschungen / Studies in Contemporary History, 9 (2012) 1

ISSN
1612-6033

Status
Published Version; peer reviewed


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© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.