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Bettymania und der Tod der Prominentenkultur
[journal article]

dc.contributor.authorKahan, Jeffreyde
dc.date.accessioned2019-12-27T13:04:37Z
dc.date.available2020-06-04T23:00:09Z
dc.date.issued2019de
dc.identifier.issn0963-6784de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/65849
dc.description.abstractIn 2010, I published a book, Bettymania and the Birth of Celebrity Culture. In this article, I want to revisit the topic, not because Bettymania matches our present reality but, rather, to measure our present paradigm against its originator. Whatever new era we now occupy, it can no longer be accurately dubbed “celebrity-driven.” Given that our airwaves are saturated with reality TV and YouTube navel gazing, that Facebook has now turned everyone into an expert on personal branding and self-promotion, and that, in America, we have a celebrity as our commander-in-chief, this argument may strike many as wrongheaded; but, to a large extent, what we meant by celebrity culture and the rules that we affixed to it, no longer apply. A study of Bettymania may well offer us some understanding of celebrity culture, but the inception of that culture now seems trivial compared to its date of expiration, which, I argue, occurred the moment Donald Trump was elected President of the United States.de
dc.languageende
dc.subject.ddcGeschichtede
dc.subject.ddcHistoryen
dc.subject.otherCelebrity Culture; fame; regency theater; reality TV; Donald Trump; Madonna; Bettymaniade
dc.titleBettymania and the Death of Celebrity Culturede
dc.title.alternativeBettymania und der Tod der Prominentenkulturde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalHistorical Social Research, Supplement
dc.publisher.countryDEU
dc.source.issue32de
dc.subject.classozallgemeine Geschichtede
dc.subject.classozGeneral Historyen
dc.subject.thesozpopularityen
dc.subject.thesozPopularitätde
dc.subject.thesozÖffentlichkeitde
dc.subject.thesozMarketingde
dc.subject.thesozhistorische Entwicklungde
dc.subject.thesozWerbungde
dc.subject.thesozmarketingen
dc.subject.thesozthe publicen
dc.subject.thesozProminenzde
dc.subject.thesozhistorical developmenten
dc.subject.thesozpop cultureen
dc.subject.thesozadvertisingen
dc.subject.thesozPopkulturde
dc.subject.thesozVIPen
dc.rights.licenceCreative Commons - Attribution 4.0en
dc.rights.licenceCreative Commons - Namensnennung 4.0de
ssoar.contributor.institutionGESISde
internal.statusnoch nicht fertig erschlossende
internal.identifier.thesoz10034801
internal.identifier.thesoz10051656
internal.identifier.thesoz10055015
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internal.identifier.thesoz10034450
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dc.type.stockarticlede
dc.type.documentjournal articleen
dc.type.documentZeitschriftenartikelde
dc.source.pageinfo139-164de
internal.identifier.classoz30301
internal.identifier.journal153
internal.identifier.document32
internal.identifier.ddc900
dc.identifier.doihttps://doi.org/10.12759/hsr.suppl.32.2019.139-164de
dc.description.pubstatusPublished Versionen
dc.description.pubstatusVeröffentlichungsversionde
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
dc.subject.classhort30300de
dc.subject.classhort10200de
internal.embargo.terms2020-06-04
internal.pdf.wellformedtrue
internal.pdf.encryptedfalse
ssoar.urn.registrationfalsede


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