SSOAR Logo
    • Deutsch
    • English
  • English 
    • Deutsch
    • English
  • Login
SSOAR ▼
  • Home
  • About SSOAR
  • Guidelines
  • Publishing in SSOAR
  • Cooperating with SSOAR
    • Cooperation models
    • Delivery routes and formats
    • Projects
  • Cooperation partners
    • Information about cooperation partners
  • Information
    • Possibilities of taking the Green Road
    • Grant of Licences
    • Download additional information
  • Operational concept
Browse and search Add new document OAI-PMH interface
JavaScript is disabled for your browser. Some features of this site may not work without it.

Download PDF
Download full text

(455.6Kb)

Citation Suggestion

Please use the following Persistent Identifier (PID) to cite this document:
https://nbn-resolving.org/urn:nbn:de:0168-ssoar-55918-1

Exports for your reference manager

Bibtex export
Endnote export

Display Statistics
Share
  • Share via E-Mail E-Mail
  • Share via Facebook Facebook
  • Share via Bluesky Bluesky
  • Share via Reddit reddit
  • Share via Linkedin LinkedIn
  • Share via XING XING

The socialist artistic identity and the bilateral agreements in the Balkans (1945-1949)

[journal article]

Cărăbaș, Irina

Abstract

After the Second World War, a new regional identity was configured through collaboration agreements not only between the USSR and each of the Eastern Bloc countries but, at the same time, through less hierarchical relationships between the newly installed communist regimes. These relationships also ... view more

After the Second World War, a new regional identity was configured through collaboration agreements not only between the USSR and each of the Eastern Bloc countries but, at the same time, through less hierarchical relationships between the newly installed communist regimes. These relationships also entailed cultural conventions, which stipulated joint events and exhibitions or documentary trips for artists. This article focuses on the artistic exchanges between Romania, Bulgaria and Yugoslavia in the early years of the postwar era giving special attention to the art institutions that were assigned to operate them. Such international relationships are revealing for the local negotiations concerning the relation between artists and the state, but also for the political prospects in the Balkans. Moreover, the early artistic exchanges set out a series of practices that were maintained throughout the entire socialist period and therefore contributed to charting a common artistic identity. Although the Soviet cultural model settled certain borders and modes of action in each country through imported art institutions or policies, the artistic exchanges within the Eastern Bloc had also an independent life, which sometimes even bypassed it. Furthermore, in each country, Socialist Realism was configured at the intersection of Soviet directives, local artistic hierarchies and practices, and bilateral exchanges.... view less

Keywords
Southeastern Europe; art; identity; cultural agreement; post-war period; diplomacy; Socialist Realism; cultural relations; Romania; Yugoslavia; Bulgaria; international relations

Classification
Cultural Sociology, Sociology of Art, Sociology of Literature

Document language
English

Publication Year
2017

Page/Pages
p. 249-267

Journal
Studia Politica: Romanian Political Science Review, 17 (2017) 3

ISSN
1582-4551

Status
Published Version; peer reviewed

Licence
Creative Commons - Attribution-Noncommercial-No Derivative Works 1.0


GESIS LogoDFG LogoOpen Access Logo
Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.
 

 


GESIS LogoDFG LogoOpen Access Logo
Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.