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[journal article]

dc.contributor.authorWayne, Michael L.de
dc.contributor.authorCastro, Deborahde
dc.date.accessioned2025-02-12T15:19:04Z
dc.date.available2025-02-12T15:19:04Z
dc.date.issued2025de
dc.identifier.issn2183-2439de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/99917
dc.description.abstractThis analysis uses a media industry studies approach in conjunction with Caldwell's concept of "televisuality" to explore the significance of cultural authenticity within Netflix's industrial discourses. The authors argue that Netflix's emphasis on cultural authenticity in its global content strategies mirrors the concept of "televisuality" as a form of corporate behavior and cultural representation in the streaming era. Specifically, the findings demonstrate the ways in which cultural authenticity can be understood as an industrial practice, distinct from the specific textual, narrative, or genre-related elements of its content. In addition, this research finds that executives' assertions about universal storytelling diminish the significance of cultural differences, enabling them to present this diluted version of cultural authenticity as a catalyst for fostering global empathy and understanding. Yet, the broader utility of conceptualizing cultural authenticity as the overarching industrial logic of contemporary streaming television remains unclear as a result of Netflix's distinctive position within the industry.de
dc.languageende
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.otherNetflix; cultural authenticity; streaming; television industryde
dc.titleCultural Authenticity as Netflix Televisuality: Streaming Industry Discourse and Globally Commissioned Original Seriesde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://www.cogitatiopress.com/mediaandcommunication/article/view/9407/4211de
dc.source.journalMedia and Communication
dc.source.volume13de
dc.publisher.countryPRTde
dc.subject.classozRundfunk, Telekommunikationde
dc.subject.classozBroadcasting, Telecommunicationen
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.thesozAuthentizitätde
dc.subject.thesozauthenticityen
dc.subject.thesozFernsehende
dc.subject.thesoztelevisionen
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10065449
internal.identifier.thesoz10043435
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
internal.identifier.classoz1080401
internal.identifier.classoz1080403
internal.identifier.journal793
internal.identifier.document32
internal.identifier.ddc070
dc.source.issuetopicRedefining Televisuality: Programmes, Practices, and Methodsde
dc.identifier.doihttps://doi.org/10.17645/mac.9407de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttps://www.cogitatiopress.com/mediaandcommunication/oai/@@oai:ojs.cogitatiopress.com:article/9407
ssoar.urn.registrationfalsede


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