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[journal article]

dc.contributor.authorBicharanlou, Abdollahde
dc.contributor.authorYasini, Seyedeh Raziehde
dc.contributor.authorGholami, Farzadde
dc.date.accessioned2025-01-31T12:17:40Z
dc.date.available2025-01-31T12:17:40Z
dc.date.issued2024de
dc.identifier.issn2588-5502de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/99582
dc.description.abstractMusic consumption, as an important form of cultural consumption in the daily lives of Iranians, has been the subject of political focus before and after the Revolution, 1979. During past decade, high penetration of information and communication technologies, specifically convergence as well as globalization of various media, has affected the rate of use and preferred content choices. Specially, the development of satellite television channels and the use of smartphones, have shifted the way Iranians listen or watch domestic/foreign music, thus, changing the place of music in the cultural rearticulation of Iranian society and people. While most previous studies have focused on domestic factors in their analysis of current changes rather than intercultural and global issues, this study attempts to focus on the role of latter factors to identify why and how music consumption has undergone rapid and dramatic shifts in Iran. By addressing the gap, this paper represents a close look at Iranian music tastes using quantitative data collected during a survey of 3400 adult respondents aged between 18 to 60. The findings show that like most of other countries, diverse genres of music are popular in Iran but Iranian classic music and pop music are more popular than other genres. Iranian music is more popular to Iranians than foreign music tracks & Iranian traditional music and integrated music (Iranianan classic music integrated to pop music) are very popular in Iran.de
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.othermedia convergencede
dc.titleIntercultural Changes in Music Tastes of Iranian Adult Population: The Role of New Technologies, Media Convergence, and Globalizationde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalJournal of Cyberspace Studies
dc.source.volume8de
dc.publisher.countryMISCde
dc.source.issue2de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.thesozIrande
dc.subject.thesozIranen
dc.subject.thesozMusikde
dc.subject.thesozmusicen
dc.subject.thesozinterkulturelle Faktorende
dc.subject.thesozintercultural factorsen
dc.subject.thesozEinstellungsänderungde
dc.subject.thesozattitude changeen
dc.subject.thesozGeschmackde
dc.subject.thesoztasteen
dc.subject.thesozneue Technologiede
dc.subject.thesoznew technologyen
dc.subject.thesozGlobalisierungde
dc.subject.thesozglobalizationen
dc.subject.thesozKonsumde
dc.subject.thesozconsumptionen
dc.subject.thesozKommunikationstechnologiede
dc.subject.thesozcommunication technologyen
dc.subject.thesozInformationstechnologiede
dc.subject.thesozinformation technologyen
dc.subject.thesozKonvergenzde
dc.subject.thesozconvergenceen
dc.identifier.urnurn:nbn:de:0168-ssoar-99582-5
dc.rights.licenceCreative Commons - Namensnennung, Keine Bearbeitung 4.0de
dc.rights.licenceCreative Commons - Attribution-NoDerivs 4.0en
internal.statusformal und inhaltlich fertig erschlossende
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dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo223-238de
internal.identifier.classoz10216
internal.identifier.journal1339
internal.identifier.document32
internal.identifier.ddc301
dc.identifier.doihttps://doi.org/10.22059/jcss.2024.376988.1104de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence28
internal.identifier.pubstatus1
internal.identifier.review1
internal.pdf.validfalse
internal.pdf.wellformedtrue
internal.pdf.encryptedfalse


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