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dc.contributor.authorRameder, Agnesde
dc.date.accessioned2025-01-03T15:10:53Z
dc.date.available2025-01-03T15:10:53Z
dc.date.issued2024de
dc.identifier.isbn978-3-8394-7539-3de
dc.identifier.issn2702 9557de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/98802
dc.description.abstractMartyr posters are more than obituary images - they can act as visual politics. Focusing on Rabih Mroué's play How Nancy Wished That Everything Was an April Fool's Joke (2007), Agnes Rameder analyses how contemporary artists question and appropriate Lebanese martyr posters. By linking the posters from the Wars in Lebanon (1975-1990) to contemporary posters, she shows that these images continue to the present day, that martyrs are still created and that deaths, such as those who were killed in the explosion on 4 August 2020, are still visually remembered. This study does not focus on how such pictures are perceived by a Western audience but delves into the use and abuse of martyr posters that were intended to be shown to the Lebanese.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.otherArt History of the 20th Century; Art History of the 21st Century; Beirut; Contemporary Art; Fine Arts; History of art; History, geographic treatment, biography; Kunst/Allgemeines, Lexika; Martyr; Media studies; Philosophy and theory of fine and decorative arts; Political Art; The Arts; Theory of art; Visual Politics; Visual Studiesde
dc.titlePicturing the (Un)Dead in Beirut: Appropriations of Martyr Posters and Other Images of the Physically Deceasedde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839475393.pdfde
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesImage
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.subject.thesozKulturde
dc.subject.thesozcultureen
dc.subject.thesozKunstde
dc.subject.thesozarten
dc.subject.thesozKunstgeschichtede
dc.subject.thesozart historyen
dc.subject.thesozLibanonde
dc.subject.thesozLebanonen
dc.identifier.urnurn:nbn:de:0168-ssoar-98802-6
dc.rights.licenceCreative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0de
dc.rights.licenceCreative Commons - Attribution-ShareAlike 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10035153
internal.identifier.thesoz10039299
internal.identifier.thesoz10045216
internal.identifier.thesoz10035867
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo410de
internal.identifier.classoz39900
internal.identifier.document20
internal.identifier.ddc100
dc.identifier.doihttps://doi.org/10.14361/9783839475393de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence24
internal.identifier.pubstatus1
internal.identifier.review2
internal.identifier.series739
internal.dda.referencexmlxslt-bundlessource-366@@10039-9783839475393


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