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%T Re-Composing YouTube: Vernacular Musical Aesthetics in the Digital Age
%A Wolf, Jonas
%P 278
%V 105
%D 2024
%I transcript Verlag
%K Remix Culture; Musical Aesthetics; Vernacular; Composition; Media Aesthetics; Sound; Media Studies
%@ 2702-8984
%@ 978-3-8394-7382-5
%~ transcript Verlag
%> https://nbn-resolving.org/urn:nbn:de:0168-ssoar-96899-0
%U https://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839473825.pdf
%X YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.
%C DEU
%C Bielefeld
%G en
%9 Dissertation
%W GESIS - http://www.gesis.org
%~ SSOAR - http://www.ssoar.info