Bibtex export
@book{ Wolf2024,
title = {Re-Composing YouTube: Vernacular Musical Aesthetics in the Digital Age},
author = {Wolf, Jonas},
year = {2024},
series = {Media Studies},
pages = {278},
volume = {105},
address = {Bielefeld},
publisher = {transcript Verlag},
issn = {2702-8984},
isbn = {978-3-8394-7382-5},
doi = {https://doi.org/10.14361/9783839473825},
urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-96899-0},
abstract = {YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.},
keywords = {Soziale Medien; social media; Musik; music; Medien; media; Popkultur; pop culture; Musikwissenschaft; musicology; Digitale Medien; digital media}}