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[monograph]

dc.contributor.authorSchäfer, Martin Jörgde
dc.contributor.authorWeinstock, Alexanderde
dc.date.accessioned2024-07-24T08:13:14Z
dc.date.available2024-07-24T08:13:14Z
dc.date.issued2024de
dc.identifier.isbn978-3-8394-6965-1de
dc.identifier.issn2747-3198de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/95280
dc.description.abstractIn German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg "Theatre-Library" from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.ddcLiteratur, Rhetorik, Literaturwissenschaftde
dc.subject.ddcLiterature, rhetoric and criticismen
dc.subject.otherManuscripts; Literary Studiesde
dc.titleTheatre in Handwriting: Hamburg Prompt Book Practices, 1770s-1820sde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839469651.pdfde
dc.source.volume157de
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesTheatre Studies
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.subject.classozLiteraturwissenschaft, Sprachwissenschaft, Linguistikde
dc.subject.classozScience of Literature, Linguisticsen
dc.subject.thesozLiteraturde
dc.subject.thesozliteratureen
dc.subject.thesozTheaterde
dc.subject.thesoztheateren
dc.subject.thesozBundesrepublik Deutschlandde
dc.subject.thesozFederal Republic of Germanyen
dc.subject.thesozHamburgde
dc.subject.thesozHamburgen
dc.subject.thesozKulturgeschichtede
dc.subject.thesozcultural historyen
dc.subject.thesozTheaterwissenschaftde
dc.subject.thesoztheater arts and sciencesen
dc.subject.thesozLiteraturwissenschaftde
dc.subject.thesozliterature (discipline)en
dc.identifier.urnurn:nbn:de:0168-ssoar-95280-2
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10035991
internal.identifier.thesoz10057161
internal.identifier.thesoz10037571
internal.identifier.thesoz10040094
internal.identifier.thesoz10045212
internal.identifier.thesoz10060213
internal.identifier.thesoz10051289
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo274de
internal.identifier.classoz39900
internal.identifier.classoz30200
internal.identifier.document20
internal.identifier.ddc100
internal.identifier.ddc800
dc.identifier.doihttps://doi.org/10.14361/9783839469651de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review2
internal.identifier.series2029
internal.dda.referencexmlxslt-bundlessource-352@@10039-9783839469651


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