Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism

Shapiro, Alan N.

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dc.contributor.author	Shapiro, Alan N.	de
dc.date.accessioned	2024-06-24T17:09:37Z
dc.date.available	2024-06-24T17:09:37Z
dc.date.issued	2024	de
dc.identifier.isbn	978-3-8394-7242-2	de
dc.identifier.issn	2702-8860	de
dc.identifier.uri	https://www.ssoar.info/ssoar/handle/document/94706
dc.description.abstract	How do digital media technologies affect society and our lives? Through the cultural theory hypotheses of hyper-modernism, hyperreality, and posthumanism, Alan N. Shapiro investigates the social impact of Virtual/Augmented Reality, AI, social media platforms, robots, and the Brain-Computer Interface. His examination of concepts of Jean Baudrillard and Katherine Hayles, as well as films such as Blade Runner 2049, Ghost in the Shell, Ex Machina, and the TV series Black Mirror, suggests that the boundary between science fiction narratives and the »real world« has become indistinct. Science-fictional thinking should be advanced as a principal mode of knowledge for grasping the world and digitalization.	de
dc.language	en	de
dc.publisher	transcript Verlag	de
dc.subject.ddc	Soziologie, Anthropologie	de
dc.subject.ddc	Sociology & anthropology	en
dc.subject.other	Posthumanism; Creative Coding; Digital Cuture; Cultural Theory; Media Studies	de
dc.title	Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism	de
dc.description.review	begutachtet	de
dc.description.review	reviewed	en
dc.identifier.url	https://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839472422.pdf	de
dc.source.volume	67	de
dc.publisher.country	DEU	de
dc.publisher.city	Bielefeld	de
dc.source.series	Digital Society
dc.subject.classoz	Wissenschaftssoziologie, Wissenschaftsforschung, Technikforschung, Techniksoziologie	de
dc.subject.classoz	Sociology of Science, Sociology of Technology, Research on Science and Technology	en
dc.subject.thesoz	Marxismus	de
dc.subject.thesoz	Marxism	en
dc.subject.thesoz	Medien	de
dc.subject.thesoz	media	en
dc.subject.thesoz	Kultur	de
dc.subject.thesoz	culture	en
dc.subject.thesoz	Kritische Theorie	de
dc.subject.thesoz	critical theory	en
dc.subject.thesoz	Film	de
dc.subject.thesoz	film	en
dc.subject.thesoz	Science Fiction	de
dc.subject.thesoz	science fiction	en
dc.subject.thesoz	Medientheorie	de
dc.subject.thesoz	media theory	en
dc.subject.thesoz	Digitale Medien	de
dc.subject.thesoz	digital media	en
dc.identifier.urn	urn:nbn:de:0168-ssoar-94706-2
dc.rights.licence	Creative Commons - Namensnennung, Nicht-kommerz., Weitergabe unter gleichen Bedingungen 4.0	de
dc.rights.licence	Creative Commons - Attribution-NonCommercial-ShareAlike 4.0	en
ssoar.contributor.institution	transcript Verlag	de
internal.status	formal und inhaltlich fertig erschlossen	de
internal.identifier.thesoz	10034943
internal.identifier.thesoz	10035302
internal.identifier.thesoz	10035153
internal.identifier.thesoz	10044037
internal.identifier.thesoz	10034315
internal.identifier.thesoz	10051268
internal.identifier.thesoz	10051928
internal.identifier.thesoz	10083753
dc.type.stock	monograph	de
dc.type.document	Monographie	de
dc.type.document	monograph	en
dc.source.pageinfo	373	de
internal.identifier.classoz	10220
internal.identifier.document	20
internal.identifier.ddc	301
dc.identifier.doi	https://doi.org/10.14361/9783839472422	de
dc.description.pubstatus	Veröffentlichungsversion	de
dc.description.pubstatus	Published Version	en
internal.identifier.licence	36
internal.identifier.pubstatus	1
internal.identifier.review	2
internal.identifier.series	1952
internal.dda.reference	xmlxslt-bundlessource-345@@10039-9783839472422

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Wissenschaftssoziologie, Wissenschaftsforschung, Technikforschung, Techniksoziologie
Sociology of Science, Sociology of Technology, Research on Science and Technology

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