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[phd thesis]

dc.contributor.authorZipp, Jan Sebastiande
dc.date.accessioned2024-03-22T11:56:39Z
dc.date.available2024-03-22T11:56:39Z
dc.date.issued2022de
dc.identifier.isbn978-3-8394-6316-1de
dc.identifier.issn2702-8976de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/93295
dc.description.abstractWhat does "creativity" mean in the context of IT and what happens when IT acts in its name? Jan Sebastian Zipp examines the concept of creativity in large IT companies in times of digital change, including new ways of working or potential artificial creativity with no human interaction. Drawing on constitutive elements like Silicon Valley or its connection to counterculture, his analysis of the representation and organisation of creativity as a social practice provides insights into the inherent logic of the creativity narrative of IT. This study contributes vital foundations for a critical engagement with today's prevailing understanding of the concept of creativity.de
dc.languageende
dc.publishertranscript Verlagde
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.otherIT; Silicon Valley; Counterculturede
dc.titleProgramming Creativity: Semantics and Organisation of Creativity Within IT Enterprisesde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://www.transcript-verlag.de/shopMedia/openaccess/pdf/oa9783839463161.pdfde
dc.source.volume280de
dc.publisher.countryDEUde
dc.publisher.cityBielefeldde
dc.source.seriesCulture & Theory
dc.subject.classozWirtschaftssoziologiede
dc.subject.classozSociology of Economicsen
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.thesozArbeitde
dc.subject.thesozlaboren
dc.subject.thesozÖkonomiede
dc.subject.thesozeconomyen
dc.subject.thesozKulturwissenschaftde
dc.subject.thesozcultural studiesen
dc.subject.thesozInnovationde
dc.subject.thesozinnovationen
dc.subject.thesozKreativitätde
dc.subject.thesozcreativityen
dc.subject.thesozDigitale Mediende
dc.subject.thesozdigital mediaen
dc.subject.thesozWirtschaftssoziologiede
dc.subject.thesozeconomic sociologyen
dc.subject.thesozWirtschaftsgeschichtede
dc.subject.thesozeconomic historyen
dc.subject.thesozSubkulturde
dc.subject.thesozsubcultureen
dc.subject.thesozTechnologiede
dc.subject.thesoztechnologyen
dc.subject.thesozInformationstechnologiede
dc.subject.thesozinformation technologyen
dc.identifier.urnurn:nbn:de:0168-ssoar-93295-0
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
ssoar.contributor.institutiontranscript Verlagde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10034931
internal.identifier.thesoz10035305
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internal.identifier.thesoz10045218
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internal.identifier.thesoz10035297
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dc.type.stockmonographde
dc.type.documentDissertationde
dc.type.documentphd thesisen
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo198de
internal.identifier.classoz10205
internal.identifier.classoz10216
internal.identifier.document9
internal.identifier.document20
internal.identifier.ddc301
dc.identifier.doihttps://doi.org/10.14361/9783839463161de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.identifier.series2071
internal.dda.referencexmlxslt-bundlessource-318@@10039-9783839463161


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