dc.contributor.author | Hill, Marc | de |
dc.contributor.author | Yildiz, Erol | de |
dc.contributor.editor | Gaonkar, Anna Meera | de |
dc.contributor.editor | Hansen, Astrid Sophie Ost | de |
dc.contributor.editor | Post, Hans Christian | de |
dc.contributor.editor | Schramm, Moritz | de |
dc.date.accessioned | 2024-03-19T07:59:22Z | |
dc.date.available | 2024-03-19T07:59:22Z | |
dc.date.issued | 2021 | de |
dc.identifier.isbn | 978-3-8394-4840-3 | de |
dc.identifier.issn | 2703-1268 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/93156 | |
dc.description.abstract | The Christoph Schlingensief performance with the refugee container in front of Vienna State Opera touched and moved people, angered them, or inspired them to reflect critically on their own prejudices and preconceptions. By choosing a central locus in the heart of Vienna, frequented daily by numerous tourists, Christoph Schlingensief managed to attract considerable attention with his artistic-political initiative. Moreover, some tourists thought the performance was the implementation of an actual public initiative to arbitrarily deport as many refugees as possible. Subsequently, Schlingensief was either verbally attacked on television, completely ignored or even derided as politically corrupt, someone who had been 'bought and paid for'. Forcefully engaging with this 'predetermined breaking point', the artist disrupted the power of the asylum dispositif, at least for a brief interval. | de |
dc.language | en | de |
dc.publisher | transcript Verlag | de |
dc.relation.ispartof | 89229 | |
dc.subject.ddc | Sozialwissenschaften, Soziologie | de |
dc.subject.ddc | Social sciences, sociology, anthropology | en |
dc.subject.ddc | Politikwissenschaft | de |
dc.subject.ddc | Political science | en |
dc.subject.other | Christoph Schlingensief; Postmigrant Society; Postmigration; Refugee Crisis; Urbanity | de |
dc.title | A postmigrant contrapuntal reading of the refugee crisis and its discourse: 'Foreigners out! Schlingensief's Container' | de |
dc.title.alternative | Eine postmigrantische kontrapunktische Lesart der Flüchtlingskrise und ihres Diskurses: "Ausländer raus! Schlingensiefs Container" | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.collection | Postmigration: Art, Culture, and Politics in Contemporary Europe | de |
dc.source.volume | 4 | de |
dc.publisher.country | DEU | de |
dc.publisher.city | Bielefeld | de |
dc.source.series | Postmigration Studies | |
dc.subject.classoz | Migration | de |
dc.subject.classoz | Migration, Sociology of Migration | en |
dc.subject.classoz | politische Willensbildung, politische Soziologie, politische Kultur | de |
dc.subject.classoz | Political Process, Elections, Political Sociology, Political Culture | en |
dc.subject.thesoz | Kunst | de |
dc.subject.thesoz | art | en |
dc.subject.thesoz | Asylpolitik | de |
dc.subject.thesoz | asylum policy | en |
dc.subject.thesoz | Europa | de |
dc.subject.thesoz | Europe | en |
dc.subject.thesoz | Großstadt | de |
dc.subject.thesoz | large city | en |
dc.subject.thesoz | ästhetische Erziehung | de |
dc.subject.thesoz | aesthetic education | en |
dc.subject.thesoz | Protest | de |
dc.subject.thesoz | protest | en |
dc.subject.thesoz | Demonstration | de |
dc.subject.thesoz | demonstration | en |
dc.subject.thesoz | Demokratie | de |
dc.subject.thesoz | democracy | en |
dc.subject.thesoz | Freiheit | de |
dc.subject.thesoz | freedom | en |
dc.subject.thesoz | Menschenrechte | de |
dc.subject.thesoz | human rights | en |
dc.subject.thesoz | Solidarität | de |
dc.subject.thesoz | solidarity | en |
dc.subject.thesoz | Rechtspositivismus | de |
dc.subject.thesoz | legal positivism | en |
dc.rights.licence | Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-Noncommercial-No Derivative Works 4.0 | en |
ssoar.contributor.institution | Universität Innsbruck | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10039299 | |
internal.identifier.thesoz | 10037253 | |
internal.identifier.thesoz | 10042879 | |
internal.identifier.thesoz | 10045971 | |
internal.identifier.thesoz | 10034656 | |
internal.identifier.thesoz | 10055506 | |
internal.identifier.thesoz | 10040707 | |
internal.identifier.thesoz | 10037672 | |
internal.identifier.thesoz | 10038509 | |
internal.identifier.thesoz | 10042902 | |
internal.identifier.thesoz | 10058003 | |
internal.identifier.thesoz | 10056145 | |
dc.type.stock | incollection | de |
dc.type.document | Sammelwerksbeitrag | de |
dc.type.document | collection article | en |
dc.source.pageinfo | 109-130 | de |
internal.identifier.classoz | 10304 | |
internal.identifier.classoz | 10504 | |
internal.identifier.document | 25 | |
dc.source.conference | Conference "The Postmigrant Condition: Art, Culture and Politics in Contemporary Europe" | de |
dc.event.city | Odense | de |
internal.identifier.ddc | 300 | |
internal.identifier.ddc | 320 | |
dc.identifier.doi | https://doi.org/10.14361/9783839448403-007 | de |
dc.date.conference | 2018 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 20 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.identifier.series | 2132 | |
dc.subject.classhort | 10200 | de |
internal.pdf.valid | false | |
internal.pdf.wellformed | true | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |