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[journal article]

dc.contributor.authorAlvarez-Cueva, Priscilade
dc.date.accessioned2022-07-13T09:25:21Z
dc.date.available2022-07-13T09:25:21Z
dc.date.issued2022de
dc.identifier.issn2183-2803de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/79953
dc.description.abstractWhen the world seemed to collapse due to the Covid‐19 pandemic in 2020, music was employed to promote positivity and strength among citizens and communities, especially during worldwide lockdowns. Because the general context of the pandemic was saturated with anxiety, uncertainty, and fear, music - in all its forms of production - became an ideal resource for entertainment and accompaniment, and helped people face the challenges associated with the crisis. Following a qualitative content analysis, this study deeply examines 13 examples of music production published by the United Nations during the Covid‐19 crisis, highlighting the narrative elements and how they relate to individual and social well‐being. In so doing, the study identifies eight main categories among both lyrics and performances in the music examples. These are: (a) desires, (b) emotions, (c) people, (d) practices, (e) reflections, (f) education/entertainment, (g) allusion to war, and (h) nationalism. The results suggest that music narratives have empowered individuals and social groups by evoking sentiments of solidarity and kindness at both individual and community levels and, in so doing, have contributed to individual and social well‐being.de
dc.languageende
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.otherCovid‐19; content analysis; lockdown; music; well‐beingde
dc.titleMusic to Face the Lockdown: An Analysis of Covid‐19 Music Narratives on Individual and Social Well‐Beingde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://www.cogitatiopress.com/socialinclusion/article/view/4894de
dc.source.journalSocial Inclusion
dc.source.volume10de
dc.publisher.countryPRTde
dc.source.issue2de
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.thesozEpidemiede
dc.subject.thesozepidemicen
dc.subject.thesozMusikde
dc.subject.thesozmusicen
dc.subject.thesozWohlbefindende
dc.subject.thesozwell-beingen
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10042424
internal.identifier.thesoz10048153
internal.identifier.thesoz10045580
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo6-18de
internal.identifier.classoz1080403
internal.identifier.journal786
internal.identifier.document32
internal.identifier.ddc070
dc.source.issuetopicPromoting Social Inclusive Experiences in Uncertain Timesde
dc.identifier.doihttps://doi.org/10.17645/si.v10i2.4894de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttps://www.cogitatiopress.com/socialinclusion/oai/@@oai:ojs.cogitatiopress.com:article/4894
ssoar.urn.registrationfalsede


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