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dc.contributor.authorJacob, Frankde
dc.date.accessioned2022-03-31T09:41:27Z
dc.date.available2022-03-31T09:41:27Z
dc.date.issued2022de
dc.identifier.isbn978-3-96317-851-1de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/78347
dc.description.abstractFrank Herbert's "Dune" (1965) is considered to be one of the most successful Science Fiction novels of the 20th century. It introduces its readers to a future universe, in which the production of the most valuable resource of the universe - 'spice' - is only possible on one vast desert planet called Arrakis. "Dune" offers many different motifs, including a hero that eventually turns into a superhuman being. However, the novel is also rich of orientalist semiotics and relates to a sign system existent when Herbert wrote his book. Frank Jacob discusses these semiotics in detail and shows how much of "Lawrence of Arabia" is present in the story's plot.de
dc.languageende
dc.publisherBüchner-Verlagde
dc.subject.ddcLiteratur, Rhetorik, Literaturwissenschaftde
dc.subject.ddcLiterature, rhetoric and criticismen
dc.subject.ddcNews media, journalism, publishingen
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.otherLawrence of Arabia; Frank Herbert; Paul of Arrakis; Paul Atreides; colonialism; Dune; human collectivism; human-animal relations; T.E. Lawrence; political elitism; Denis Villeneuve; cross-generational audience; ecology; desert planet; religion; orientalismde
dc.titleThe Orientalist Semiotics of "Dune": Religious and Historical References within Frank Herbert's Universede
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.publisher.countryDEUde
dc.publisher.cityMarburgde
dc.subject.classozMedia Contents, Content Analysisen
dc.subject.classozLiteraturwissenschaft, Sprachwissenschaft, Linguistikde
dc.subject.classozScience of Literature, Linguisticsen
dc.subject.classozMedieninhalte, Aussagenforschungde
dc.subject.thesoz20. Jahrhundertde
dc.subject.thesozscience fictionen
dc.subject.thesozFilmde
dc.subject.thesozfilmen
dc.subject.thesozSemiotikde
dc.subject.thesozsemioticsen
dc.subject.thesozRomande
dc.subject.thesoztwentieth centuryen
dc.subject.thesozScience Fictionde
dc.subject.thesoznovelen
dc.identifier.urnurn:nbn:de:0168-ssoar-78347-6
dc.rights.licenceCreative Commons - Attribution-NonCommercial 4.0en
dc.rights.licenceCreative Commons - Namensnennung, Nicht-kommerz. 4.0de
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10063150
internal.identifier.thesoz10051268
internal.identifier.thesoz10057787
internal.identifier.thesoz10034315
internal.identifier.thesoz10050079
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo117de
internal.identifier.classoz30200
internal.identifier.classoz1080405
internal.identifier.document20
internal.identifier.ddc800
internal.identifier.ddc070
dc.identifier.doihttps://doi.org/10.14631/978-3-96317-851-1de
dc.description.pubstatusPublished Versionen
dc.description.pubstatusVeröffentlichungsversionde
internal.identifier.licence32
internal.identifier.pubstatus1
internal.identifier.review1
internal.pdf.wellformedtrue
internal.pdf.ocrnull Page_1 Page_3 Page_7 Page_103 Page_119
internal.pdf.encryptedfalse


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