dc.contributor.author | Jacob, Frank | de |
dc.date.accessioned | 2022-03-31T09:41:27Z | |
dc.date.available | 2022-03-31T09:41:27Z | |
dc.date.issued | 2022 | de |
dc.identifier.isbn | 978-3-96317-851-1 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/78347 | |
dc.description.abstract | Frank Herbert's "Dune" (1965) is considered to be one of the most successful Science Fiction novels of the 20th century. It introduces its readers to a future universe, in which the production of the most valuable resource of the universe - 'spice' - is only possible on one vast desert planet called Arrakis. "Dune" offers many different motifs, including a hero that eventually turns into a superhuman being. However, the novel is also rich of orientalist semiotics and relates to a sign system existent when Herbert wrote his book. Frank Jacob discusses these semiotics in detail and shows how much of "Lawrence of Arabia" is present in the story's plot. | de |
dc.language | en | de |
dc.publisher | Büchner-Verlag | de |
dc.subject.ddc | Literatur, Rhetorik, Literaturwissenschaft | de |
dc.subject.ddc | Literature, rhetoric and criticism | en |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.other | Lawrence of Arabia; Frank Herbert; Paul of Arrakis; Paul Atreides; colonialism; Dune; human collectivism; human-animal relations; T.E. Lawrence; political elitism; Denis Villeneuve; cross-generational audience; ecology; desert planet; religion; orientalism | de |
dc.title | The Orientalist Semiotics of "Dune": Religious and Historical References within Frank Herbert's Universe | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.publisher.country | DEU | de |
dc.publisher.city | Marburg | de |
dc.subject.classoz | Media Contents, Content Analysis | en |
dc.subject.classoz | Literaturwissenschaft, Sprachwissenschaft, Linguistik | de |
dc.subject.classoz | Science of Literature, Linguistics | en |
dc.subject.classoz | Medieninhalte, Aussagenforschung | de |
dc.subject.thesoz | 20. Jahrhundert | de |
dc.subject.thesoz | science fiction | en |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | Semiotik | de |
dc.subject.thesoz | semiotics | en |
dc.subject.thesoz | Roman | de |
dc.subject.thesoz | twentieth century | en |
dc.subject.thesoz | Science Fiction | de |
dc.subject.thesoz | novel | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-78347-6 | |
dc.rights.licence | Creative Commons - Attribution-NonCommercial 4.0 | en |
dc.rights.licence | Creative Commons - Namensnennung, Nicht-kommerz. 4.0 | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10063150 | |
internal.identifier.thesoz | 10051268 | |
internal.identifier.thesoz | 10057787 | |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10050079 | |
dc.type.stock | monograph | de |
dc.type.document | Monographie | de |
dc.type.document | monograph | en |
dc.source.pageinfo | 117 | de |
internal.identifier.classoz | 30200 | |
internal.identifier.classoz | 1080405 | |
internal.identifier.document | 20 | |
internal.identifier.ddc | 800 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.14631/978-3-96317-851-1 | de |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 32 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.pdf.wellformed | true | |
internal.pdf.ocr | null Page_1 Page_3 Page_7 Page_103 Page_119 | |
internal.pdf.encrypted | false | |