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[journal article]

dc.contributor.authorRuotsalainen, Juhode
dc.contributor.authorVilli, Mikkode
dc.date.accessioned2022-03-17T12:58:31Z
dc.date.available2022-03-17T12:58:31Z
dc.date.issued2021de
dc.identifier.issn2183-2439de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/78098
dc.description.abstractLive journalism is a new journalistic genre in which journalists present news stories to a live audience. This article investigates the journalistic manuscripts of live journalism performances. With the focus on texts, the article reaches beyond the live performance to explore the wider implications and potentials pioneered by live journalists. The data were gathered from Musta laatikko (‘Black Box’) manuscripts, a live journalism production by the Finnish newspaper Helsingin Sanomat. The manuscripts were analysed as eudaimonic journalism through four conceptual dimensions: self-transcendence, autonomy, competence, and relatedness. The results show how eudaimonic journalism can contemplate history, the future, and the meaning of finite human life. Moreover, by describing self-determinant individuals and communal social relationships, eudaimonic news stories can foster a sense of meaning and agency in audience members. By employing eudaimonia, journalists at large can reflect on the meaning and purpose of contemporary life and offer a more comprehensive understanding of the world. Such understanding includes not only facts and analysis, but also values, affects, and collective meanings mediated through the subjectivity of a journalist.de
dc.languageende
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.othereudaimonia; live journalism; reciprocal journalism; self-determination theory; self-transcendence; slow journalismde
dc.title'A Shared Reality between a Journalist and the Audience': How Live Journalism Reimagines News Storiesde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://www.cogitatiopress.com/mediaandcommunication/article/view/3809de
dc.source.journalMedia and Communication
dc.source.volume9de
dc.publisher.countryPRTde
dc.source.issue2de
dc.subject.classozMedieninhalte, Aussagenforschungde
dc.subject.classozMedia Contents, Content Analysisen
dc.subject.classozKommunikatorforschung, Journalismusde
dc.subject.classozCommunicator Research, Journalismen
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo167-177de
internal.identifier.classoz1080405
internal.identifier.classoz1080406
internal.identifier.journal793
internal.identifier.document32
internal.identifier.ddc070
dc.source.issuetopicThe Good, the Bad, and the Ugly: Inspirational Media between Meaning, Narration, and Manipulationde
dc.identifier.doihttps://doi.org/10.17645/mac.v9i2.3809de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttps://www.cogitatiopress.com/mediaandcommunication/oai/@@oai:ojs.cogitatiopress.com:article/3809
ssoar.urn.registrationfalsede


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