dc.contributor.author | Masdari, Fatemeh | de |
dc.contributor.author | Hosseini Sarvari, Seyed Hasan | de |
dc.date.accessioned | 2022-01-27T11:18:01Z | |
dc.date.available | 2022-01-27T11:18:01Z | |
dc.date.issued | 2021 | de |
dc.identifier.issn | 2588-5502 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/77013 | |
dc.description.abstract | The article presents the results of an aesthetic study of content and visual forms on Instagram, a relatively new social media platform. The study focuses on how the products of digital technology, understood as new artifacts within the postmodern aesthetic framework, have been taken up within the digital culture. The results of the research help us to understand the characteristics of this new social media platform, indicating that Instagram has been highly successful in changing aesthetic criteria and standards and creating new aesthetic forms and content. | de |
dc.language | en | de |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.other | filtering; Instagram; iPhoneography | de |
dc.title | The aesthetics of Instagram: Exploring the aesthetics of visual and semantic aspects of Instagram | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Journal of Cyberspace Studies | |
dc.source.volume | 5 | de |
dc.publisher.country | MISC | de |
dc.source.issue | 1 | de |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.classoz | interaktive, elektronische Medien | de |
dc.subject.classoz | Interactive, electronic Media | en |
dc.subject.thesoz | Ästhetik | de |
dc.subject.thesoz | aesthetics | en |
dc.subject.thesoz | visuelle Wahrnehmung | de |
dc.subject.thesoz | visual perception | en |
dc.subject.thesoz | Nostalgie | de |
dc.subject.thesoz | nostalgia | en |
dc.subject.thesoz | Soziale Medien | de |
dc.subject.thesoz | social media | en |
dc.subject.thesoz | Internet | de |
dc.subject.thesoz | Internet | en |
dc.rights.licence | Creative Commons - Namensnennung, Nicht-kommerz. 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-NonCommercial 4.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10034653 | |
internal.identifier.thesoz | 10053789 | |
internal.identifier.thesoz | 10074489 | |
internal.identifier.thesoz | 10094228 | |
internal.identifier.thesoz | 10040528 | |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
dc.source.pageinfo | 59-78 | de |
internal.identifier.classoz | 10216 | |
internal.identifier.classoz | 1080404 | |
internal.identifier.journal | 1339 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 301 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.22059/jcss.2021.325552.1060 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 32 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.pdf.wellformed | true | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |