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Integrative Aspects of Non-verbal Cultural Communication in Europe: Case Study - Pantomime
[journal article]
dc.contributor.author | Kurkowska, Mirella | de |
dc.date.accessioned | 2021-11-18T15:53:31Z | |
dc.date.available | 2021-11-18T15:53:31Z | |
dc.date.issued | 2021 | de |
dc.identifier.issn | 1428-149X | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/75886 | |
dc.description.abstract | This article touches on the integrative aspects of non-verbal cultural communication as exemplified by diverse pantomime genres in modern Europe. The starting point being the characteristic features of this form of art, as well as its genesis and functions in the Eastern and Western parts of the globe. Festivals, which have been rapidly developing in the world of pantomime and street art since the beginning of the 1970s, play an exceptional role in European cultural exchange. They are, however, generally ephemeral projects, often placed besides institutionalised mainstream culture, with no aspirations to become part of the EFA for example. Nonverbal cultural communication in Europe is still poorly integrated and yet maintains a remarkable diversity of genres and multi-colour forms. Such decentralisation is also the source of its strength manifested by its ease in reaching an incredibly diverse audience, the ability to obtain feedback from mass audiences, its expansiveness (taking up various spaces), its flexible approach in its quest for answers - but at the same time respecting the rudiments of the rich, native European tradition of popular culture. It seems that EU institutions nowadays notice the significant role of this type of intercultural communication, as evidenced by, for example, the Commissioner Gabriel's statement regarding a meeting with EFA representatives on 22nd June 2021. The European Union has no harmonisation competences in the area of culture, but rather solely complementary and supporting functions with regard to Member States' activities - one can count on EU sectoral support funds from the Creative Europe Programme. The subsidisation of festival, confrontation, and meeting movements related to non-verbal cultural exchange can take place (and does take place) through regions, local governments, or cultural institutions. | de |
dc.language | en | de |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.other | Cultural Communication; Pantomime; Mime Festivals; Street Art Festivals | de |
dc.title | Integrative Aspects of Non-verbal Cultural Communication in Europe: Case Study - Pantomime | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Studia Europejskie - Studies in European Affairs | |
dc.source.volume | 25 | de |
dc.publisher.country | POL | de |
dc.source.issue | 3 | de |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.classoz | Allgemeines, spezielle Theorien und Schulen, Methoden, Entwicklung und Geschichte der Kommunikationswissenschaften | de |
dc.subject.classoz | Basic Research, General Concepts and History of the Science of Communication | en |
dc.subject.thesoz | nonverbale Kommunikation | de |
dc.subject.thesoz | non-verbal communication | en |
dc.subject.thesoz | interkulturelle Kommunikation | de |
dc.subject.thesoz | intercultural communication | en |
dc.subject.thesoz | Mimik | de |
dc.subject.thesoz | facial expression | en |
dc.subject.thesoz | Gestik | de |
dc.subject.thesoz | gesture | en |
dc.subject.thesoz | Festival | de |
dc.subject.thesoz | festival | en |
dc.subject.thesoz | kulturelle Beziehungen | de |
dc.subject.thesoz | cultural relations | en |
dc.subject.thesoz | Europa | de |
dc.subject.thesoz | Europe | en |
dc.rights.licence | Creative Commons - Namensnennung, Nicht-kommerz. 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-NonCommercial 4.0 | en |
ssoar.contributor.institution | University of warsaw | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10045488 | |
internal.identifier.thesoz | 10047769 | |
internal.identifier.thesoz | 10045489 | |
internal.identifier.thesoz | 10045487 | |
internal.identifier.thesoz | 10063301 | |
internal.identifier.thesoz | 10047813 | |
internal.identifier.thesoz | 10042879 | |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
dc.source.pageinfo | 137-155 | de |
internal.identifier.classoz | 10216 | |
internal.identifier.classoz | 10801 | |
internal.identifier.journal | 1885 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 301 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.33067/SE.3.2021.8 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 32 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
dc.subject.classhort | 10400 | de |
dc.subject.classhort | 10216 | de |
internal.pdf.wellformed | true | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |
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Kultursoziologie, Kunstsoziologie, Literatursoziologie
Cultural Sociology, Sociology of Art, Sociology of Literature -
Allgemeines, spezielle Theorien und "Schulen", Methoden, Entwicklung und Geschichte der Kommunikationswissenschaften
Basic Research, General Concepts and History of the Science of Communication