Die übermalten Schiffe in Caspar David Friedrichs "Mönch am Meer": neue Erkenntnisse nach der Restaurierung des Gemäldes in der Alten Nationalgalerie Berlin

Cibura, Sabine

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%T Die übermalten Schiffe in Caspar David Friedrichs "Mönch am Meer": neue Erkenntnisse nach der Restaurierung des Gemäldes in der Alten Nationalgalerie Berlin
%A Cibura, Sabine
%J Deutsches Schiffahrtsarchiv
%P 381-391
%V 38
%D 2015
%@ 0343-3668
%~ DSM
%> https://nbn-resolving.org/urn:nbn:de:0168-ssoar-74455-7
%X In January 2016, following extensive restoration work, the Alte Nationalgalerie in Berlin introduced Caspar David Friedrich's painting 'The Monk by the Sea' to the public. The infrared reflectogram had brought a further overpainted ship to light in the work, in which hitherto only two overpainted ships were known. The third vessel is a brig, which, along with the ship placed to its left, corresponds to the composition of the study 'Seashore with Sailing Ships' ascribed to the period around 1835/37. A comparison of the newly discovered ship with the lost pen-and-ink drawing of a brig dating from 1789 suggests that Friedrich used the mirror image of the brig in this drawing for 'The Monk by the Sea.'
%C DEU
%G de
%9 Zeitschriftenartikel
%W GESIS - http://www.gesis.org
%~ SSOAR - http://www.ssoar.info