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@article{ Cibura2015,
 title = {Die übermalten Schiffe in Caspar David Friedrichs "Mönch am Meer": neue Erkenntnisse nach der Restaurierung des Gemäldes in der Alten Nationalgalerie Berlin},
 author = {Cibura, Sabine},
 journal = {Deutsches Schiffahrtsarchiv},
 pages = {381-391},
 volume = {38},
 year = {2015},
 issn = {0343-3668},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-74455-7},
 abstract = {In January 2016, following extensive restoration work, the Alte Nationalgalerie in Berlin introduced Caspar David Friedrich's painting 'The Monk by the Sea' to the public. The infrared reflectogram had brought a further overpainted ship to light in the work, in which hitherto only two overpainted ships were known. The third vessel is a brig, which, along with the ship placed to its left, corresponds to the composition of the study 'Seashore with Sailing Ships' ascribed to the period around 1835/37. A comparison of the newly discovered ship with the lost pen-and-ink drawing of a brig dating from 1789 suggests that Friedrich used the mirror image of the brig in this drawing for 'The Monk by the Sea.'},
}