dc.contributor.author | Fair, James | de |
dc.date.accessioned | 2021-07-08T11:48:49Z | |
dc.date.available | 2021-07-08T11:48:49Z | |
dc.date.issued | 2019 | de |
dc.identifier.issn | 2009-8278 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/73788 | |
dc.description.abstract | Low and micro-budget filmmaking is less documented than mainstream cinema, and as such, less understood. There is a need for more research into all aspects of low and micro-budget cinema, as it is often the portal through which some filmmakers will pass on the way to bigger things. This paper uses a comparative literature approach to explore two texts from different perspectives of low and micro-budget filmmaking; John Connors' acceptance speech for Best Actor at the Irish Film and Television Academy Awards in 2018, and the UK Film Council's 'Low and Micro-Budget Film Production in the UK' report from 2008. The aim is to understand: is there a different perspective between the low and micro-budget filmmaker and the state development agency that seeks to support filmmaking? The conclusion identifies some differences in perspective and argues that it is due to a lack of understanding about each party that creates the friction. | de |
dc.language | en | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.other | Low and micro-budget; Production studies; Film policy; Film Development Agency; John Francis Connors 1990- ; UK Film Council; Bord Scannán na hÉireann; Irish Film Board; Fís Éireann; Screen Ireland | de |
dc.title | Can you see what I see? Differing perspectives between low and micro-budget filmmakers and film development agencies | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.identifier.url | http://sahjournal.com/index.php/sah/article/view/183 | de |
dc.source.journal | Studies in Arts and Humanities | |
dc.source.volume | 5 | de |
dc.publisher.country | MISC | de |
dc.source.issue | 2 | de |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | Other Media | en |
dc.subject.thesoz | Budget | de |
dc.subject.thesoz | film production | en |
dc.subject.thesoz | Irland | de |
dc.subject.thesoz | Kino | de |
dc.subject.thesoz | Filmproduktion | de |
dc.subject.thesoz | budget | en |
dc.subject.thesoz | cinema | en |
dc.subject.thesoz | Ireland | en |
dc.rights.licence | Creative Commons - Attribution-Noncommercial-No Derivative Works 4.0 | en |
dc.rights.licence | Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0 | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10043586 | |
internal.identifier.thesoz | 10048086 | |
internal.identifier.thesoz | 10039848 | |
internal.identifier.thesoz | 10043616 | |
dc.type.stock | article | de |
dc.type.document | journal article | en |
dc.type.document | Zeitschriftenartikel | de |
dc.source.pageinfo | 65-79 | de |
internal.identifier.classoz | 1080403 | |
internal.identifier.journal | 1504 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.18193/sah.v5i2.183 | de |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 20 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.dda.reference | http://sahjournal.com/index.php/sah/oai/@@oai:ojs.sahjournal.com:article/183 | |
ssoar.urn.registration | false | de |