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[journal article]

dc.contributor.authorFair, Jamesde
dc.date.accessioned2021-07-08T11:48:49Z
dc.date.available2021-07-08T11:48:49Z
dc.date.issued2019de
dc.identifier.issn2009-8278de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/73788
dc.description.abstractLow and micro-budget filmmaking is less documented than mainstream cinema, and as such, less understood. There is a need for more research into all aspects of low and micro-budget cinema, as it is often the portal through which some filmmakers will pass on the way to bigger things. This paper uses a comparative literature approach to explore two texts from different perspectives of low and micro-budget filmmaking; John Connors' acceptance speech for Best Actor at the Irish Film and Television Academy Awards in 2018, and the UK Film Council's 'Low and Micro-Budget Film Production in the UK' report from 2008. The aim is to understand: is there a different perspective between the low and micro-budget filmmaker and the state development agency that seeks to support filmmaking? The conclusion identifies some differences in perspective and argues that it is due to a lack of understanding about each party that creates the friction.de
dc.languageende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.otherLow and micro-budget; Production studies; Film policy; Film Development Agency; John Francis Connors 1990- ; UK Film Council; Bord Scannán na hÉireann; Irish Film Board; Fís Éireann; Screen Irelandde
dc.titleCan you see what I see? Differing perspectives between low and micro-budget filmmakers and film development agenciesde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttp://sahjournal.com/index.php/sah/article/view/183de
dc.source.journalStudies in Arts and Humanities
dc.source.volume5de
dc.publisher.countryMISCde
dc.source.issue2de
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.thesozBudgetde
dc.subject.thesozfilm productionen
dc.subject.thesozIrlandde
dc.subject.thesozKinode
dc.subject.thesozFilmproduktionde
dc.subject.thesozbudgeten
dc.subject.thesozcinemaen
dc.subject.thesozIrelanden
dc.rights.licenceCreative Commons - Attribution-Noncommercial-No Derivative Works 4.0en
dc.rights.licenceCreative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 4.0de
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10043586
internal.identifier.thesoz10048086
internal.identifier.thesoz10039848
internal.identifier.thesoz10043616
dc.type.stockarticlede
dc.type.documentjournal articleen
dc.type.documentZeitschriftenartikelde
dc.source.pageinfo65-79de
internal.identifier.classoz1080403
internal.identifier.journal1504
internal.identifier.document32
internal.identifier.ddc070
dc.identifier.doihttps://doi.org/10.18193/sah.v5i2.183de
dc.description.pubstatusPublished Versionen
dc.description.pubstatusVeröffentlichungsversionde
internal.identifier.licence20
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttp://sahjournal.com/index.php/sah/oai/@@oai:ojs.sahjournal.com:article/183
ssoar.urn.registrationfalsede


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