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dc.contributor.authorBosun, Petrede
dc.date.accessioned2018-07-25T07:59:58Z
dc.date.available2018-07-25T07:59:58Z
dc.date.issued2015de
dc.identifier.issn2300-2697de
dc.identifier.urihttp://www.scipress.com/ILSHS.43.81.pdf
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/58132
dc.description.abstractThe theatre, an enigmatic world in which the actors can transform for a couple of hours the reality of the spectators in an astonishing universe. Anton Chekhov, Russian dramatist is reveling his magical wings over the creation of the theatre with one of his plays, The Seagull. The time in his plays seems unbearable and it continues endlessly without novelty. One of the character from the theatre play The Seagull is Nina Zarecinaia and represents the single woman in this play that has the power to convert her life. The Chekhov's character, Nina chose to live, love and suffer a manner to win wisdom and to find her way in life. She is more powerful that she thinks and is capable to endure her hard life without giving the possibility to come back to her old home. In this case, she is showing courage to take life as it is. Most important things about this character is that she comes back for a short period and penetrate the quiet space of the other characters, leaving behind at her leaving the appearance of death. Relying on the actions that Nina takes, we can find four elements of anthropology: empathizing, expression patterns, releasing the psychic energies and the art to detect and to avoid the unconscious traps.en
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcSozialwissenschaften, Soziologiede
dc.subject.ddcSocial sciences, sociology, anthropologyen
dc.subject.otherTschechow, A.de
dc.titleSome anthropological elements in Chekhov's theatrede
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalInternational Letters of Social and Humanistic Sciences
dc.publisher.countryCHE
dc.source.issue43de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozEthnologie, Kulturanthropologie, Ethnosoziologiede
dc.subject.classozEthnology, Cultural Anthropology, Ethnosociologyen
dc.subject.thesozTheaterde
dc.subject.thesoztheateren
dc.subject.thesozLiteraturde
dc.subject.thesozliteratureen
dc.subject.thesozAnthropologiede
dc.subject.thesozanthropologyen
dc.subject.thesozInzidenzde
dc.subject.thesozincidenceen
dc.identifier.urnurn:nbn:de:0168-ssoar-58132-7
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10057161
internal.identifier.thesoz10035991
internal.identifier.thesoz10035746
internal.identifier.thesoz10048068
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo81-85de
internal.identifier.classoz10216
internal.identifier.classoz10400
internal.identifier.journal1120
internal.identifier.document32
internal.identifier.ddc301
internal.identifier.ddc300
dc.identifier.doihttps://doi.org/10.18052/www.scipress.com/ILSHS.43.81de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencexml-database-59@@8
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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