SSOAR Logo
    • Deutsch
    • English
  • Deutsch 
    • Deutsch
    • English
  • Einloggen
SSOAR ▼
  • Home
  • Über SSOAR
  • Leitlinien
  • Veröffentlichen auf SSOAR
  • Kooperieren mit SSOAR
    • Kooperationsmodelle
    • Ablieferungswege und Formate
    • Projekte
  • Kooperationspartner
    • Informationen zu Kooperationspartnern
  • Informationen
    • Möglichkeiten für den Grünen Weg
    • Vergabe von Nutzungslizenzen
    • Informationsmaterial zum Download
  • Betriebskonzept
Browsen und suchen Dokument hinzufügen OAI-PMH-Schnittstelle
JavaScript is disabled for your browser. Some features of this site may not work without it.

Download PDF
Volltext herunterladen

(528.9 KB)

Zitationshinweis

Bitte beziehen Sie sich beim Zitieren dieses Dokumentes immer auf folgenden Persistent Identifier (PID):
https://nbn-resolving.org/urn:nbn:de:0168-ssoar-55879-8

Export für Ihre Literaturverwaltung

Bibtex-Export
Endnote-Export

Statistiken anzeigen
Weiterempfehlen
  • Share via E-Mail E-Mail
  • Share via Facebook Facebook
  • Share via Bluesky Bluesky
  • Share via Reddit reddit
  • Share via Linkedin LinkedIn
  • Share via XING XING

Une féérie musicale?: les coproductions cinématographiques entre la République Socialiste Roumaine et l’Union Soviétique

Romanian-Soviet co-productions: a musical fairytale?
[Zeitschriftenartikel]

Popescu, Alina

Abstract

This article brings forward an overview of the Romanian-URSS co-productions, in an attempt to explain how film functioned as an instrument of cultural diplomacy between the two countries and between the East and the West. While Romania has been involved in numerous cultural exchanges and in many oth... mehr

This article brings forward an overview of the Romanian-URSS co-productions, in an attempt to explain how film functioned as an instrument of cultural diplomacy between the two countries and between the East and the West. While Romania has been involved in numerous cultural exchanges and in many other forms of cinematographic collaboration with the Soviet Union, this analysis focuses only on the films whose artistic responsibility had been entrusted to a Romanian filmmaker. Five films were thus identified, including a war film made in the 1960s and four musicals and/or films for children and youth made during the 1970s and 1980s. The fact that all of them put music more or less in the foreground appears as no coincidence. This option responded to a strategy oriented towards the Western public, and towards celebrating a Romanian-Soviet friendship cleansed of political tensions. Nevertheless, in a cinematography where politicized films were the main priority, such co-productions played a significant role in the shaping of a popular culture and of a cinema of entertainment.... weniger

Thesaurusschlagwörter
Kino; Film; Popkultur; Rumänien; UdSSR; kulturelle Beziehungen; Kulturpolitik

Klassifikation
Kultursoziologie, Kunstsoziologie, Literatursoziologie

Freie Schlagwörter
Musical

Sprache Dokument
Französisch

Publikationsjahr
2017

Seitenangabe
S. 169-188

Zeitschriftentitel
Studia Politica: Romanian Political Science Review, 17 (2017) 1

ISSN
1582-4551

Status
Veröffentlichungsversion; begutachtet (peer reviewed)

Lizenz
Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung 1.0


GESIS LogoDFG LogoOpen Access Logo
Home  |  Impressum  |  Betriebskonzept  |  Datenschutzerklärung
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.
 

 


GESIS LogoDFG LogoOpen Access Logo
Home  |  Impressum  |  Betriebskonzept  |  Datenschutzerklärung
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.