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@article{ Scholl2006,
 title = {Der Grafiker und Marinemaler Oskar Dolhart: ein biografischer Versuch},
 author = {Scholl, Lars U. and Ancken, Rüdiger},
 journal = {Deutsches Schiffahrtsarchiv},
 pages = {267-282},
 volume = {29},
 year = {2006},
 issn = {0343-3668},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-55792-9},
 abstract = {In the mid 1930s, the graphic artist Oskar Dolhart - whose name does not appear in any of the major reference works - attracted attention as a naval painter. He belonged to a group of artists who focused on Germany's massively enlarged naval fleet and did much to spread the propaganda image of warships and wartime events. Dolhart claimed to have been a pupil of Robert Schmidt-Hamburg - a statement left unverified by the Schmidt estate. During the war, Oskar Dolhart produced a series of cover illustrations for the new front magazine Die Seeflieger der deutschen Luftwaffe, and was in charge of its graphics for two and a half years. After he left the magazine for reasons unknown, he served as a soldier until the end of the war. After 1945, as far as is known, he stopped painting wartime subjects. Dolhart lived in Holzminden and resumed his activities as a commercial graphic artist. He retained his links with the water, however, by painting watercolours of the River Weser and the Weserbergland.},
}