SSOAR Logo
    • Deutsch
    • English
  • English 
    • Deutsch
    • English
  • Login
SSOAR ▼
  • Home
  • About SSOAR
  • Guidelines
  • Publishing in SSOAR
  • Cooperating with SSOAR
    • Cooperation models
    • Delivery routes and formats
    • Projects
  • Cooperation partners
    • Information about cooperation partners
  • Information
    • Possibilities of taking the Green Road
    • Grant of Licences
    • Download additional information
  • Operational concept
Browse and search Add new document OAI-PMH interface
JavaScript is disabled for your browser. Some features of this site may not work without it.

Download PDF
Download full text

(126.7Kb)

Citation Suggestion

Please use the following Persistent Identifier (PID) to cite this document:
https://nbn-resolving.org/urn:nbn:de:0168-ssoar-53332-4

Exports for your reference manager

Bibtex export
Endnote export

Display Statistics
Share
  • Share via E-Mail E-Mail
  • Share via Facebook Facebook
  • Share via Bluesky Bluesky
  • Share via Reddit reddit
  • Share via Linkedin LinkedIn
  • Share via XING XING

A querela entre antigos e modernos: genealogia da modernidade da modernidade - principais ideias

The quarrel between ancient and modern: genealogy of modernity - main ideas
[journal article]

Souza, Alberto Carlos de
Figueiredo, Tulio Alberto Martins de

Abstract

At the end of centuries renewed many questions are contained in Western culture. At the end of the fifteenth century, wondered if the art about nature, through discussion on imitation and representation. The end of the century XVI announced the corporate and the sociology of images, which led to the... view more

At the end of centuries renewed many questions are contained in Western culture. At the end of the fifteenth century, wondered if the art about nature, through discussion on imitation and representation. The end of the century XVI announced the corporate and the sociology of images, which led to the discussion of figure and allegory in a secular and religious landscape. In this passage, this effect had to break the dogmatic systems of the Baroque and the introduction of scientific methods of production, revealing a reason for emancipation and quality consciousness of freedom as seen by a world of aesthetic awareness and distinguished by the dominance of progress.... view less

Classification
History

Free Keywords
Modernity; History; Information Science; Philosophy

Document language
Portuguese

Publication Year
2016

Journal
Revista Desafios, 3 (2016) 1

ISSN
2359-3652

Status
Published Version; peer reviewed

Licence
Creative Commons - Attribution-NonCommercial 4.0


GESIS LogoDFG LogoOpen Access Logo
Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.
 

 


GESIS LogoDFG LogoOpen Access Logo
Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.