dc.contributor.author | Hagener, Malte | de |
dc.date.accessioned | 2011-11-21T16:11:00Z | de |
dc.date.accessioned | 2012-08-29T22:30:32Z | |
dc.date.available | 2012-08-29T22:30:32Z | |
dc.date.issued | 2007 | de |
dc.identifier.isbn | 978-90-5356-961-0 | de |
dc.identifier.uri | http://www.ssoar.info/ssoar/handle/document/27348 | |
dc.description.abstract | This first critical overview of the European film avant-garde ushers in a new approach and creates its own subject. Arguing that a European perspective is the only way to understand the film avant-garde of the 1920s and 1930s, Hagener provides a much-needed summary of the theory and practice of the movement. This incisive study also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of screening clubs, film festivals, and archives. | en |
dc.language | en | de |
dc.publisher | Amsterdam Univ. Press | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.other | culture and institutions; motion pictures | |
dc.title | Moving forward, looking back: the European avant-garde and the invention of film culture, 1919-1939 | en |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.identifier.url | http://www.oapen.org/record/340131 | de |
dc.publisher.country | NLD | |
dc.publisher.city | Amsterdam | de |
dc.source.series | Film Culture in Transition | de |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.classoz | Other Media | en |
dc.subject.thesoz | Filmfestival | de |
dc.subject.thesoz | Kulturwandel | de |
dc.subject.thesoz | avant-garde | en |
dc.subject.thesoz | Kino | de |
dc.subject.thesoz | historische Entwicklung | de |
dc.subject.thesoz | Filmproduktion | de |
dc.subject.thesoz | cultural change | en |
dc.subject.thesoz | Avantgarde | de |
dc.subject.thesoz | film industry | en |
dc.subject.thesoz | film production | en |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | historical development | en |
dc.subject.thesoz | Filmwirtschaft | de |
dc.subject.thesoz | film festival | en |
dc.subject.thesoz | cinema | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-273481 | de |
dc.date.modified | 2012-08-27T15:31:00Z | de |
dc.rights.licence | Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung | de |
dc.rights.licence | Creative Commons - Attribution-Noncommercial-No Derivative Works | en |
ssoar.greylit | f | de |
ssoar.gesis.collection | SOLIS;ADIS | de |
ssoar.contributor.institution | OAPEN | de |
internal.status | 3 | de |
internal.identifier.thesoz | 10043586 | |
internal.identifier.thesoz | 10034801 | |
internal.identifier.thesoz | 10050231 | |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10037561 | |
internal.identifier.thesoz | 10043624 | |
internal.identifier.thesoz | 10043600 | |
internal.identifier.thesoz | 10043616 | |
dc.type.stock | monograph | de |
dc.type.document | Monographie | de |
dc.type.document | monograph | en |
dc.rights.copyright | f | de |
dc.source.pageinfo | 376 | |
internal.identifier.classoz | 10216 | |
internal.identifier.classoz | 1080403 | |
internal.identifier.document | 20 | |
internal.identifier.ddc | 070 | |
internal.identifier.ddc | 301 | |
dc.description.pubstatus | Published Version | en |
dc.description.pubstatus | Veröffentlichungsversion | de |
internal.identifier.licence | 2 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.identifier.series | 238 | de |
internal.check.abstractlanguageharmonizer | CERTAIN | |
internal.check.languageharmonizer | CERTAIN_RETAINED | |