Do espaço e tempo musical – teoria científica e prática artística na vanguarda do pós-guerra

Martingo, Ângelo

Bibtex export

@article{ Martingo2010,
 title = {Do espaço e tempo musical – teoria científica e prática artística na vanguarda do pós-guerra},
 author = {Martingo, Ângelo},
 journal = {European Review of Artistic Studies},
 number = {1},
 pages = {1-10},
 volume = {1},
 year = {2010},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-256949},
 abstract = {The early 20th century has witnessed major transformations in both scientific and musical
domains. In particular, relativity has shown space and time to have physical reality (in
contrast to a priori conditions of objects), and the hierarchical structure of tonality was
abandoned in favor of progressively more systematic methods of composition evolving
from twelve-tone music. By singling out the migration of the scientific understanding of
space and time to musical terrain, as legitimization and metaphor for some theoretical
proposals of integral serialism, a parallel is drawn between the two fields which shows the
entwinement of scientific output and artistic theory and practice in post-war avant-garde.},
}