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%T The colonial present
%A Bunnell, Tim
%J Cultural Geographies
%N 2
%P 305-305
%V 13
%D 2006
%= 2011-03-01T07:24:00Z
%~ http://www.peerproject.eu/
%> https://nbn-resolving.org/urn:nbn:de:0168-ssoar-232693
%X cultural geographies 2006 13: 305-312 reviews in brief The colonial present. By            Derek Gregory. Malden, MA: Blackwell. 2004. 367 pp. £16.99 paper. ISBN 1577180909. The            colonial present extends and deepens our understanding of contemporary geopolitics in            ways that speak to the key concerns of this journal. For Derek Gregory as for Edward            Said, to whom the book is dedicated, and whose intellectual legacy runs through its            pages - issues of culture and of geography are central to understanding how colonial            'pasts' bleed into contemporary Afghanistan, Iraq and Palestine. Drawing upon Said,            Gregory details colonialism as a cultural process: 'Culture involves the production,            circulation, and legitimation of meanings through representations, practices, and            performances that enter fully into the constitution of the world' (p. 8). Since none of            us is 'outside' or 'above' culture, we are all in one way or another bound up in ongoing            processes of colonization, 'the performance of the colonial present' (p. 10). For me,            much of the power of the book is derived from this recognition. While the empirical            detail of the The colonial present draws our critical attention to the interconnected            geopolitics and geo-economics of violence in Afghanistan, Iraq and Palestine, the book            also compels us to look critically at ourselves, the ways in which we 'continue to think            and to act in ways that are dyed in the colors of colonial power' (p. xv). Gregory shows            how geography is implicated in (our) cultural judgements and evaluations that underlie            the ongoing exercise of colonial power. Intertwined constructions of difference and            distance continue to 'licence the unleashing of exemplary violence' (p. 16) against            'other' people and places. Importantly, Gregory insists that 'imaginative geographies'            are 'performances of space' (p. 19). It is in part for this reason that The            colonialpresent, unlike many other postcolonial studies, provides a welcome extension of            Said's (imaginative) geographies to analysis of 'real' spaces. The main body of the book            is a series of chapters which detail the lived, human geographies of Afghanistan,            Palestine and Iraq as well as the geopolitical entanglement of these spaces. My chief            concern with this important book is the way in which it can be read as mapping this            complexity into a (singular) colonial present. While Said's imaginative geographies have            been extended brilliantly to analysis of Euro-American colonial power in the Middle            East, there are other colonialisms which are perhaps not so clearly centred in            Washington, DC. Nonetheless, 7he colonial present is an exemplary performance of            critical cultural geographies that can - indeed, surely must - be extended to diverse            colonial presents. National Univeersity of Singapore TIM BUNNELL I- 2006 Edward Arnold            (Publishers) Ltd 10. 1 191/1474474006eu348xx
%G en
%9 journal article
%W GESIS - http://www.gesis.org
%~ SSOAR - http://www.ssoar.info