Bibtex export

 

@article{ Hand2005,
 title = {Sophie Calle’s art of following and seduction},
 author = {Hand, Janet},
 journal = {Cultural Geographies},
 number = {4},
 pages = {463-484},
 volume = {12},
 year = {2005},
 doi = {https://doi.org/10.1191/1474474005eu344oa},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-232545},
 abstract = {This paper considers a number of artworks by contemporary French artist Sophie Calle.                The focus is on a number of these that have a ‘public’ aspect.                Through Calle’s work, idioms of following, documenting, seduction and love                are discussed, and artistic and representational dichotomies: documentation and                action are critiqued. The essay contextualizes Calle’s art through its                dynamic relationships with conceptual art generally and particularly work that                involves following as a performance strategy. The possibility of love’s                fabrication as a dramatic means of critical art practice and analytical writing are                foregrounded through encounters with Jean Baudrillard’s writings on                seduction and on Calle.},
}