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@article{ Chapman2007,
 title = {Re-presenting war},
 author = {Chapman, James},
 journal = {European Journal of Cultural Studies},
 number = {1},
 pages = {13-33},
 volume = {10},
 year = {2007},
 doi = {https://doi.org/10.1177/1367549407072968},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-227087},
 abstract = {This article examines a cycle of British drama-documentaries about the Second World War broadcast in 2004-5: Dunkirk, D-Day, When Hitler Invaded Britain D-Day to Berlin and Blitz: London's Firestorm. It places these films in the context of the drama-documentary tradition in British film and television; it considers the institutional and cultural contexts of their production; it analyses their formal properties, especially their combination of actuality film with dramatic reconstruction; and it examines the extent to which they offer a revisionist perspective on the British historical experience of the Second World War. The article argues that these films represent a significant new direction for representing history on television.},
}