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[journal article]

dc.contributor.authorAmeli, Saied Rezade
dc.contributor.authorSiasi rad, Farzanehde
dc.date.accessioned2025-07-03T08:52:33Z
dc.date.available2025-07-03T08:52:33Z
dc.date.issued2025de
dc.identifier.issn2588-5502de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/103296
dc.description.abstractBackground: The emergence of amateur critics and vernacular reviewers as non-institutional cultural voices is one of the consequences of social media's development and widespread use. Aims: This study aims to better understand reviewers and their types by examining how they establish critical authority in comparison to institutional critics and their potential influence on cultural valuation. Methodology: This subject is explored through the rhetorical analysis of their linguistic strategies. The research draws theoretically on existing literature regarding cultural criticism and review in social media. Methodologically, it combines qualitative content analysis and rhetorical analysis, emphasizing identifying Aristotelian persuasive elements within the data, including ethos, pathos, and logos. The study sample consists of 350 Instagram posts gathered from 30 film review pages. Findings: The findings indicate that most reviewers adopt a consumer-oriented perspective, distancing themselves from institutional critics. They have also emphasized using Instagram's affordances, particularly its interactive and participatory features, to construct their cultural authority. Furthermore, they have employed rational and emotional appeals in alignment with presenting "summaries and supplementary movie information" and expressing "emotional appeal and affective experience of consumption". These strategies, along with the reviewers' focus on "addressing the audience's emotional needs", "personal growth and self-improvement", and "less dependence on institutional critics", reflect their disinterest in delving into deeper levels of critical evaluation and rhetorical directness in constructing their authority. In the final section of the article, the impact of reviewers on cultural valuation is further discussed, distinguishing three types: "film-style bloggers", "cinema influencers", and "critical reviewers". Conclusions: Based on the results, the first two types of reviewers demonstrate how Instagram's platform-specific features primarily shape critical authority. While diverse reviewers enhance access to information, they often marginalize critical evaluation and cultural value in favor of consumerism and commercial competition. Only "Critical Reviewers" have successfully integrated critical evaluation with Instagram's affordances through distinct rhetorical strategies, emphasizing the need to increase their numbers in the era of digital media.de
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.othercritical authority; Instagram; rhetorical analysis; vernacular reviewersde
dc.titleCultural Critique and Authority in the Digital Media Era: A Rhetorical Analysis of Instagram Vernacular Film Reviewersde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalJournal of Cyberspace Studies
dc.source.volume9de
dc.publisher.countryMISCde
dc.source.issue1de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozinteraktive, elektronische Mediende
dc.subject.classozInteractive, electronic Mediaen
dc.subject.thesozSoziale Mediende
dc.subject.thesozsocial mediaen
dc.subject.thesozKulturkritikde
dc.subject.thesozcultural criticismen
dc.subject.thesozFilmkritikde
dc.subject.thesozfilm criticismen
dc.subject.thesozRhetorikde
dc.subject.thesozrhetoricen
dc.subject.thesozDigitale Mediende
dc.subject.thesozdigital mediaen
dc.subject.thesozAutoritätde
dc.subject.thesozauthorityen
dc.subject.thesozRezensionde
dc.subject.thesozreviewen
dc.identifier.urnurn:nbn:de:0168-ssoar-103296-6
dc.rights.licenceCreative Commons - Namensnennung, Nicht-kommerz. 4.0de
dc.rights.licenceCreative Commons - Attribution-NonCommercial 4.0en
internal.statusformal und inhaltlich fertig erschlossende
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internal.identifier.thesoz10050126
internal.identifier.thesoz10043610
internal.identifier.thesoz10056758
internal.identifier.thesoz10083753
internal.identifier.thesoz10037548
internal.identifier.thesoz10039826
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo107-125de
internal.identifier.classoz10216
internal.identifier.classoz1080404
internal.identifier.journal1339
internal.identifier.document32
internal.identifier.ddc301
internal.identifier.ddc070
dc.identifier.doihttps://doi.org/10.22059/jcss.2025.387749.1121de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence32
internal.identifier.pubstatus1
internal.identifier.review1
internal.pdf.validfalse
internal.pdf.wellformedtrue
internal.pdf.encryptedfalse


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