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[journal article]

dc.contributor.authorZheng, Yide
dc.contributor.authorDonald, Stephanie Hemelrykde
dc.date.accessioned2025-04-10T09:54:56Z
dc.date.available2025-04-10T09:54:56Z
dc.date.issued2024de
dc.identifier.issn1868-4874de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/101431
dc.description.abstractThis article examines centenarian memoirs as a popular cultural phenomenon and through it the promises of post-reform vernacular history. The argument posits that these memoirs are a genre that has been commercially successful through their transformation of self and historical narratives in the People's Republic of China, in particular, the transformation of these memoirs from vestiges of state-cultivated intellectual confessions to vernacular cultural memories in the popular print market. Focusing on celebrated centenary memoir writers centring on Yang Jiang, the study develops Chen Sihe's conception of the vernacular, emphasising its shifting intersection with the political-institutional and the intellectual elite. The popular historiography emerging from these trans-generational memory "fevers" reveals vanishing modern Chinese intellectual values percolating through the vernacular ethos in the cultural industries of the early twenty-first century. The vernacular has been the post-reform locus for contesting and retaining critical intellectual traditions.de
dc.languageende
dc.subject.ddcGeschichtede
dc.subject.ddcHistoryen
dc.subject.otherGeschichte; Verhältnis Kunst/Kultur - Politik/Gesellschaft; Verhältnis Literatur - Politik; Volksrepublik Chinade
dc.titleCentenarian memoirs and vernacular historyde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttps://journals.sagepub.com/doi/pdf/10.1177/18681026231206408de
dc.source.journalJournal of Current Chinese Affairs
dc.source.volume53de
dc.publisher.countryGBRde
dc.source.issue2de
dc.subject.classozSozialgeschichte, historische Sozialforschungde
dc.subject.classozSocial History, Historical Social Researchen
dc.subject.thesozChinade
dc.subject.thesozChinaen
dc.subject.thesozLiteraturde
dc.subject.thesozliteratureen
dc.subject.thesozKulturindustriede
dc.subject.thesozculture industryen
dc.subject.thesozIntellektuellerde
dc.subject.thesozintellectualen
dc.subject.thesozPopkulturde
dc.subject.thesozpop cultureen
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
ssoar.contributor.institutionGIGAde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10040272
internal.identifier.thesoz10035991
internal.identifier.thesoz10047196
internal.identifier.thesoz10041897
internal.identifier.thesoz10048286
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo211-230de
internal.identifier.classoz30302
internal.identifier.journal192
internal.identifier.document32
internal.identifier.ddc900
dc.identifier.doihttps://doi.org/10.1177/18681026231206408de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttps://unapi.k10plus.de@@1903717094
ssoar.urn.registrationfalsede


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