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[journal article]

dc.contributor.authorFirth, Ellenrosede
dc.contributor.authorMarinelli, Albertode
dc.date.accessioned2025-04-01T16:27:31Z
dc.date.available2025-04-01T16:27:31Z
dc.date.issued2025de
dc.identifier.issn2183-2439de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/101194
dc.description.abstractRecommendation algorithms have acquired a central role in the suggestion of content within both subscription video on demand (SVOD) and advertising-based video on demand (AVOD) services and media-sharing platforms. In this article, we suggest the introduction of the datacasting paradigm, which takes into account the increasing relevance algorithms have in selection processes on audiovisual platforms. We use TikTok as a case study as it is an entirely algorithmic platform, and therefore embodies the heart of our discussion, and analyse how the algorithmic flow within the platform influences user experience, the impact it has on the enjoyment of content, and whether the platform can be considered televisual. We have opted to frame TikTok within debates on flow, as we believe that is what is at the core of the platform experience. Through the analysis of in-depth interviews, we extracted two main categories of responses: TV on TikTok and TikTok as TV. The former includes all responses related to the consumption of traditional televisual material on the platform, while the latter looks at all potential connections between the platform and television viewing habits.de
dc.languageende
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.otheralgorithmic flow; datacasting; media-sharing platforms; on-demand platforms; televisuality; TikTokde
dc.titleDatacasting: TikTok's Algorithmic Flow as Televisual Experiencede
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalMedia and Communication
dc.source.volume13de
dc.publisher.countryPRTde
dc.subject.classozinteraktive, elektronische Mediende
dc.subject.classozInteractive, electronic Mediaen
dc.subject.classozWirkungsforschung, Rezipientenforschungde
dc.subject.classozImpact Research, Recipient Researchen
dc.subject.thesozVideo on Demandde
dc.subject.thesozvideo on demanden
dc.subject.thesozSoziale Mediende
dc.subject.thesozsocial mediaen
dc.subject.thesozAlgorithmusde
dc.subject.thesozalgorithmen
dc.subject.thesozMedienkonsumde
dc.subject.thesozmedia consumptionen
dc.subject.thesozFernsehende
dc.subject.thesoztelevisionen
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10064291
internal.identifier.thesoz10094228
internal.identifier.thesoz10035039
internal.identifier.thesoz10069355
internal.identifier.thesoz10043435
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
internal.identifier.classoz1080404
internal.identifier.classoz1080407
internal.identifier.journal793
internal.identifier.document32
internal.identifier.ddc070
dc.source.issuetopicRedefining Televisuality: Programmes, Practices, and Methodsde
dc.identifier.doihttps://doi.org/10.17645/mac.9392de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencehttps://www.cogitatiopress.com/mediaandcommunication/oai/@@oai:ojs.cogitatiopress.com:article/9392
ssoar.urn.registrationfalsede


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