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[monograph]

dc.contributor.authorBergfelder, Timde
dc.contributor.authorHarris, Suede
dc.contributor.authorStreet, Sarahde
dc.date.accessioned2011-11-21T16:05:00Zde
dc.date.accessioned2013-01-31T10:34:13Z
dc.date.available2013-01-31T10:34:13Z
dc.date.issued2007de
dc.identifier.isbn978-90-5356-980-1de
dc.identifier.urihttp://www.ssoar.info/ssoar/handle/document/32961
dc.description.abstractFilm Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.en
dc.languageende
dc.publisherAmsterdam Univ. Pressde
dc.subject.ddcNews media, journalism, publishingen
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.titleFilm architecture and the transnational imagination: set design in 1930s European cinemade
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.identifier.urlhttp://www.oapen.org/record/340132de
dc.publisher.countryNLD
dc.publisher.cityAmsterdamde
dc.source.seriesFilm Culture in Transition
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.subject.thesozFilmde
dc.subject.thesozfilmen
dc.subject.thesozKinode
dc.subject.thesozcinemaen
dc.subject.thesozFilmproduktionde
dc.subject.thesozfilm productionen
dc.subject.thesozKunstde
dc.subject.thesozarten
dc.subject.thesozEuropade
dc.subject.thesozEuropeen
dc.subject.thesozFrankreichde
dc.subject.thesozFranceen
dc.subject.thesozGroßbritanniende
dc.subject.thesozGreat Britainen
dc.subject.thesozDeutschlandde
dc.subject.thesozGermanyen
dc.identifier.urnurn:nbn:de:0168-ssoar-329611
dc.date.modified2011-11-21T16:05:00Zde
dc.rights.licenceCreative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitungde
dc.rights.licenceCreative Commons - Attribution-Noncommercial-No Derivative Worksen
ssoar.contributor.institutionOAPENde
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10034315
internal.identifier.thesoz10043586
internal.identifier.thesoz10043616
internal.identifier.thesoz10039299
internal.identifier.thesoz10042879
internal.identifier.thesoz10040791
internal.identifier.thesoz10042102
internal.identifier.thesoz10040910
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
dc.source.pageinfo316de
internal.identifier.classoz1080403
internal.identifier.classoz39900
internal.identifier.document20
internal.identifier.ddc100
internal.identifier.ddc070
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence2
internal.identifier.pubstatus1
internal.identifier.review1
internal.identifier.series238
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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