Download full text
(5.167Mb)
Citation Suggestion
Please use the following Persistent Identifier (PID) to cite this document:
https://nbn-resolving.org/urn:nbn:de:0168-ssoar-329611
Exports for your reference manager
Film architecture and the transnational imagination: set design in 1930s European cinema
[monograph]
Abstract Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significan... view more
Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.... view less
Keywords
film; cinema; film production; art; Europe; France; Great Britain; Germany
Classification
Other Media
Other Fields of Humanities
Document language
English
Publication Year
2007
Publisher
Amsterdam Univ. Press
City
Amsterdam
Page/Pages
316 p.
Series
Film Culture in Transition
ISBN
978-90-5356-980-1
Status
Published Version; peer reviewed
Licence
Creative Commons - Attribution-Noncommercial-No Derivative Works