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Film architecture and the transnational imagination: set design in 1930s European cinema

[Monographie]

Bergfelder, Tim; Harris, Sue; Street, Sarah

Zitationshinweis

Bitte beziehen Sie sich beim Zitieren dieses Dokumentes immer auf folgenden Persistent Identifier (PID):http://nbn-resolving.de/urn:nbn:de:0168-ssoar-329611

Weitere Angaben:
Abstract Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.
Thesaurusschlagwörter film; cinema; film production; art; Europe; France; Great Britain; Germany
Klassifikation andere Medien; sonstige Geisteswissenschaften
Sprache Dokument Englisch
Publikationsjahr 2007
Verlag Amsterdam Univ. Press
Erscheinungsort Amsterdam
Seitenangabe 316 S.
Schriftenreihe Film Culture in Transition
ISBN 978-90-5356-980-1
Status Veröffentlichungsversion; begutachtet (peer reviewed)
Lizenz Creative Commons - Namensnennung, Nicht kommerz., Keine Bearbeitung
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