SSOAR Logo
    • Deutsch
    • English
  • English 
    • Deutsch
    • English
  • Login
SSOAR ▼
  • Home
  • About SSOAR
  • Guidelines
  • Publishing in SSOAR
  • Cooperating with SSOAR
    • Cooperation models
    • Delivery routes and formats
    • Projects
  • Cooperation partners
    • Information about cooperation partners
  • Information
    • Possibilities of taking the Green Road
    • Grant of Licences
    • Download additional information
  • Operational concept
Browse and search Add new document OAI-PMH interface
JavaScript is disabled for your browser. Some features of this site may not work without it.

Download PDF
Download full text

(external source)

Citation Suggestion

Please use the following Persistent Identifier (PID) to cite this document:
https://doi.org/10.17645/mac.8964

Exports for your reference manager

Bibtex export
Endnote export

Display Statistics
Share
  • Share via E-Mail E-Mail
  • Share via Facebook Facebook
  • Share via Bluesky Bluesky
  • Share via Reddit reddit
  • Share via Linkedin LinkedIn
  • Share via XING XING

Intimate Yet Exploitative: Representations of Gender-Based Violence in Platformed True Crime Narratives

[journal article]

Linke, Christine
Brune, Lisa

Abstract

True crime is a highly controversial yet successful entertainment genre that is widely available on streaming, video, and podcast platforms. The content often includes visual depictions of victims and survivors of gender-based violence, as well as depictions of the acts of violence themselves, such ... view more

True crime is a highly controversial yet successful entertainment genre that is widely available on streaming, video, and podcast platforms. The content often includes visual depictions of victims and survivors of gender-based violence, as well as depictions of the acts of violence themselves, such as surveillance footage, police or court videos, or photographs. Additionally, producers and account holders on social media platforms frequently use stereotypical, clichéd, and even eroticized representations of violence. True crime formats rarely address neither the structural causes and backgrounds which lead to crimes, nor the impact on victims, survivors, and their relatives. To address these issues, we apply audio-visual content analysis, focusing on the YouTube channel of Bailey Sarian and her content combination of narrating true crime stories while doing her makeup. Drawing on communication and media studies, we explore the dual tenor of subversive-empowering versus voyeuristic-exploitative representations in the context of narratives of gender-based violence. Our analysis highlights that the unreflective and voyeuristic tone of commercialized true crime narratives can lead to the unethical exploitation of real events and the people affected. The Murder, Mystery & Makeup Monday series exemplifies a dual approach, blending affective storytelling, which fosters viewer intimacy, with sensationalistic portrayals that often simplify and stigmatize those involved in criminal cases. Although some empowering and informative voices regarding gender-based violence exist online, they are frequently overshadowed by the sensationalism typical of commercial true crime. The series underscores a tension between intimate engagement and ethical responsibility, shaped by platform-driven pressures that prioritize engagement over quality. Our findings emphasize the need for platforms to actively enable nuanced, balanced portrayals that foster a more informed and empathetic media environment.... view less

Keywords
video clip; audiovisual media; violence; commercialization

Classification
Interactive, electronic Media
Media Contents, Content Analysis

Free Keywords
Bailey Sarian; YouTube; affective storytelling; audio-visual content analysis; gender-based violence; platform-culture; true crime

Document language
English

Publication Year
2025

Journal
Media and Communication, 13 (2025)

Issue topic
Gendered Cultures in Platform Economies: Entertainment, Expertise, and Online Selfhood

ISSN
2183-2439

Status
Published Version; peer reviewed

Licence
Creative Commons - Attribution 4.0


GESIS LogoDFG LogoOpen Access Logo
Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.
 

 


GESIS LogoDFG LogoOpen Access Logo
Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.