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dc.contributor.editorGrabbe, Lars C.de
dc.contributor.editorRupert-Kruse, Patrickde
dc.contributor.editorSchmitz, Norbert M.de
dc.date.accessioned2024-12-17T10:21:23Z
dc.date.available2024-12-17T10:21:23Z
dc.date.issued2024de
dc.identifier.isbn978-3-96317-967-9de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/98526
dc.description.abstractThe interplay of physical embodiment and digital images is getting enhanced by new media interfaces. The postmodern condition of media communication turns into a mode of hyper-aesthetics, and immersive image technologies - like cinematic images - enable a completely novel form of image aesthetics and user interaction with the cinematic image structures. "Cinematic Images" contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of cinematic depiction, digital design and software imagery with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics and art theory as well as the complex range of image science. This volume monitors and discusses the relation of images and technological evolution in the context of cinematic images within the perspective of an autonomous image science.de
dc.languageende
dc.publisherBüchner-Verlagde
dc.subject.ddcPublizistische Medien, Journalismus,Verlagswesende
dc.subject.ddcNews media, journalism, publishingen
dc.subject.otherfilm history; computer-generated aesthetics; film theory; post-cinematic era; digital image; video game technologies; TikTok duet; diversity; digital art; image science; digital turn; post-cinema; moving images; digital film production; Pixar films; CGIde
dc.titleCinematic Images: The Digital Condition of Moving Imagesde
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.source.volume2023de
dc.publisher.countryDEUde
dc.publisher.cityMarburgde
dc.source.seriesYearbook of Moving Image Studies
dc.subject.classozandere Mediende
dc.subject.classozOther Mediaen
dc.subject.classozinteraktive, elektronische Mediende
dc.subject.classozInteractive, electronic Mediaen
dc.subject.thesozBildde
dc.subject.thesozpictureen
dc.subject.thesozneue Technologiede
dc.subject.thesoznew technologyen
dc.subject.thesozMedientechnikde
dc.subject.thesozmedia technologyen
dc.subject.thesozFilmde
dc.subject.thesozfilmen
dc.subject.thesozDigitalisierungde
dc.subject.thesozdigitalizationen
dc.subject.thesozVideode
dc.subject.thesozvideoen
dc.subject.thesozComputerspielde
dc.subject.thesozcomputer gameen
dc.subject.thesozaudiovisuelle Mediende
dc.subject.thesozaudiovisual mediaen
dc.subject.thesozFilmproduktionde
dc.subject.thesozfilm productionen
dc.subject.thesozÄsthetikde
dc.subject.thesozaestheticsen
dc.identifier.urnurn:nbn:de:0168-ssoar-98526-1
dc.rights.licenceCreative Commons - Namensnennung, Weitergabe unter gleichen Bedingungen 4.0de
dc.rights.licenceCreative Commons - Attribution-ShareAlike 4.0en
internal.statusformal und inhaltlich fertig erschlossende
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dc.type.stockcollectionde
dc.type.documentSammelwerkde
dc.type.documentcollectionen
dc.source.pageinfo150de
internal.identifier.classoz1080403
internal.identifier.classoz1080404
internal.identifier.document24
internal.identifier.ddc070
dc.identifier.doihttps://doi.org/10.14631/978-3-96317-967-9de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence24
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internal.identifier.series2192
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