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https://doi.org/10.17645/mac.v10i4.5747
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Dropkick Murphys vs. Scott Walker: Unpacking Populist Ideological Discourse in Digital Space
[Zeitschriftenartikel]
Abstract On January 24, 2015, the folk punk band Dropkick Murphys penned a tweet to former Wisconsin Governor Scott Walker that read "please stop using our music in any way…We literally hate you!!!" Within hours, thousands of users interacted with the post and a contentious mediated discussion materialized. ... mehr
On January 24, 2015, the folk punk band Dropkick Murphys penned a tweet to former Wisconsin Governor Scott Walker that read "please stop using our music in any way…We literally hate you!!!" Within hours, thousands of users interacted with the post and a contentious mediated discussion materialized. By exporting the full conversation using the program BrandWatch and applying Sonja Foss's ideological criticism approach, I found several recurrent ideological constructions reappear throughout the data. Through comments considering the band’s political activism as alienating, re-envisioning punk rock as right-wing, and framing Dropkick Murphys as inherently un-American and undesirable through Twitter comments, Walker supporters rhetorically dismiss the band and their message. These constructions show how new media audiences discursively construct ideologies to delegitimize opposition along the lines of political affiliation and illustrate the communicative mechanism of populism on a micro-level.... weniger
Thesaurusschlagwörter
Twitter; Populismus; Ideologie; Musik; neue Medien; Soziale Medien; politische Rechte
Klassifikation
interaktive, elektronische Medien
politische Willensbildung, politische Soziologie, politische Kultur
Medieninhalte, Aussagenforschung
Freie Schlagwörter
Dropkick Murphys; Scott Walker
Sprache Dokument
Englisch
Publikationsjahr
2022
Seitenangabe
S. 202-212
Zeitschriftentitel
Media and Communication, 10 (2022) 4
Heftthema
Online Communities and Populism
ISSN
2183-2439
Status
Veröffentlichungsversion; begutachtet (peer reviewed)