dc.contributor.author | Rittershaus, Luisa | de |
dc.contributor.author | Eschenberg, Kathrin | de |
dc.date.accessioned | 2021-12-20T14:13:05Z | |
dc.date.available | 2021-12-20T14:13:05Z | |
dc.date.issued | 2021 | de |
dc.identifier.issn | 0936-6784 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/76387 | |
dc.description.abstract | What does a plague look like? What images correspond to it? Just as visual synonyms for the pandemic are formed in the media, the depiction of epidemics in the visual arts is a recurring topos, as art has always been a seismograph for social occurrences, moods, or political developments. This article shows how epidemics have been reflected in art history and illustrates three different representations using graphics from the graphic collection Mensch und Tod (Human and Death) at the Heinrich Heine University Düsseldorf as examples. | de |
dc.language | en | de |
dc.subject.ddc | Geschichte | de |
dc.subject.ddc | History | en |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.other | Art; Rethel; Weiss; Ensor; epidemics; dance of death | de |
dc.title | Black Death, Plagues, and the Danse Macabre: Depictions of Epidemics in Art | de |
dc.title.alternative | Der Schwarze Tod, Epidemien und der Danse Macabre: Seuchendarstellungen in der Kunst | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Historical Social Research, Supplement | |
dc.publisher.country | DEU | de |
dc.source.issue | 33 | de |
dc.subject.classoz | Sozialgeschichte, historische Sozialforschung | de |
dc.subject.classoz | Social History, Historical Social Research | en |
dc.subject.classoz | Medieninhalte, Aussagenforschung | de |
dc.subject.classoz | Media Contents, Content Analysis | en |
dc.subject.thesoz | Epidemie | de |
dc.subject.thesoz | epidemic | en |
dc.subject.thesoz | Tod | de |
dc.subject.thesoz | death | en |
dc.subject.thesoz | bildende Kunst | de |
dc.subject.thesoz | fine arts | en |
dc.subject.thesoz | Bild | de |
dc.subject.thesoz | picture | en |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
ssoar.contributor.institution | GESIS | de |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10042424 | |
internal.identifier.thesoz | 10059258 | |
internal.identifier.thesoz | 10039298 | |
internal.identifier.thesoz | 10039295 | |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
dc.source.pageinfo | 330-339 | de |
internal.identifier.classoz | 30302 | |
internal.identifier.classoz | 1080405 | |
internal.identifier.journal | 153 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 900 | |
internal.identifier.ddc | 070 | |
dc.source.issuetopic | Epidemics and Pandemics - the Historical Perspective | de |
dc.identifier.doi | https://doi.org/10.12759/hsr.suppl.33.2021.330-339 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
dc.subject.classhort | 30300 | de |
dc.subject.classhort | 50100 | de |
dc.subject.classhort | 10200 | de |
internal.pdf.wellformed | true | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |