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Please use the following Persistent Identifier (PID) to cite this document:
https://doi.org/10.18193/sah.v5i2.184

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Celebrating Imperfection through Perfect Images: Guillermo del Toro's Work

[journal article]

Roche, Hayley Arizona

Abstract

This piece examines the most recent work of the acclaimed Mexican director Guillermo del Toro, focusing on his use of intertextuality, self-referentiality and subversion as stylistic elements that to simultaneously critique and celebrate cinema Through his unique visual aesthetics and mastering of t... view more

This piece examines the most recent work of the acclaimed Mexican director Guillermo del Toro, focusing on his use of intertextuality, self-referentiality and subversion as stylistic elements that to simultaneously critique and celebrate cinema Through his unique visual aesthetics and mastering of the mise-en-scène, del Toro explores themes of identity, displacement and humanity Famed for his use of ‘monster-as-metaphor’ narratives, his work is rich in cinematic language and iconography that acts as both an homage to his idols and inspiration for his fans.Del Toro acts as a film historian, a bibliophile, a critic and a fan, championing those on the edges of society while rejoicing in his Mexican heritage.... view less

Classification
Other Media

Free Keywords
Del Toro, Guillermo, 1964-; Horror & supernatural fiction; Identity; Intertextuality; Motion pictures; Transnational communication and critical/cultural studies

Document language
English

Publication Year
2019

Page/Pages
p. 80-93

Journal
Studies in Arts and Humanities, 5 (2019) 2

ISSN
2009-8278

Status
Published Version; peer reviewed

Licence
Creative Commons - Attribution-Noncommercial-No Derivative Works 4.0


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Home  |  Legal notices  |  Operational concept  |  Privacy policy
© 2007 - 2025 Social Science Open Access Repository (SSOAR).
Based on DSpace, Copyright (c) 2002-2022, DuraSpace. All rights reserved.