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%T Do espaço e tempo musical – teoria científica e prática artística na vanguarda do pós-guerra %A Martingo, Ângelo %J European Review of Artistic Studies %N 1 %P 1-10 %V 1 %D 2010 %K musical time and space %= 2011-07-11T12:19:00Z %~ Europen Review of Artistic Studies %> https://nbn-resolving.org/urn:nbn:de:0168-ssoar-256949 %U http://www.eras.utad.pt/revista_estudos_musicais.html %X The early 20th century has witnessed major transformations in both scientific and musical domains. In particular, relativity has shown space and time to have physical reality (in contrast to a priori conditions of objects), and the hierarchical structure of tonality was abandoned in favor of progressively more systematic methods of composition evolving from twelve-tone music. By singling out the migration of the scientific understanding of space and time to musical terrain, as legitimization and metaphor for some theoretical proposals of integral serialism, a parallel is drawn between the two fields which shows the entwinement of scientific output and artistic theory and practice in post-war avant-garde. %C MISC %G pt %9 journal article %W GESIS - http://www.gesis.org %~ SSOAR - http://www.ssoar.info