dc.contributor.editor | Jacob, Frank | de |
dc.date.accessioned | 2022-03-31T08:45:31Z | |
dc.date.available | 2022-03-31T08:45:31Z | |
dc.date.issued | 2022 | de |
dc.identifier.isbn | 978-3-96317-852-8 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/78346 | |
dc.description.abstract | The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well. | de |
dc.language | en | de |
dc.publisher | Büchner-Verlag | de |
dc.subject.ddc | Publizistische Medien, Journalismus,Verlagswesen | de |
dc.subject.ddc | News media, journalism, publishing | en |
dc.subject.other | Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; Kriegsfilm; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti | de |
dc.title | War in Film: Semiotics and Conflict Related Sign Constructions on the Screen | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.publisher.country | DEU | de |
dc.publisher.city | Marburg | de |
dc.subject.classoz | Medieninhalte, Aussagenforschung | de |
dc.subject.classoz | Media Contents, Content Analysis | en |
dc.subject.classoz | andere Medien | de |
dc.subject.classoz | Other Media | en |
dc.subject.thesoz | Film | de |
dc.subject.thesoz | film | en |
dc.subject.thesoz | Krieg | de |
dc.subject.thesoz | war | en |
dc.subject.thesoz | Semiotik | de |
dc.subject.thesoz | semiotics | en |
dc.subject.thesoz | Ästhetik | de |
dc.subject.thesoz | aesthetics | en |
dc.subject.thesoz | Gedächtnis | de |
dc.subject.thesoz | memory | en |
dc.subject.thesoz | Propaganda | de |
dc.subject.thesoz | propaganda | en |
dc.identifier.urn | urn:nbn:de:0168-ssoar-78346-1 | |
dc.rights.licence | Creative Commons - Namensnennung, Nicht-kommerz. 4.0 | de |
dc.rights.licence | Creative Commons - Attribution-NonCommercial 4.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10034315 | |
internal.identifier.thesoz | 10035033 | |
internal.identifier.thesoz | 10057787 | |
internal.identifier.thesoz | 10034653 | |
internal.identifier.thesoz | 10042531 | |
internal.identifier.thesoz | 10034736 | |
dc.type.stock | collection | de |
dc.type.document | Sammelwerk | de |
dc.type.document | collection | en |
dc.source.pageinfo | 229 | de |
internal.identifier.classoz | 1080405 | |
internal.identifier.classoz | 1080403 | |
internal.identifier.document | 24 | |
internal.identifier.ddc | 070 | |
dc.identifier.doi | https://doi.org/10.14631/978-3-96317-852-8 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 32 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.pdf.wellformed | true | |
internal.pdf.ocr | null Page_1 Page_3 Page_133 Page_167 Page_227 | |
internal.pdf.encrypted | false | |