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%T A experiência musical e a interpretação simbólico-transcendental a partir de Ernst Cassirer e Susanne Langer %A De Azevedo Junior, Ivanio Lopes %J Griot: Revista de Filosofia %N 3 %P 230-246 %V 19 %D 2019 %K Musical Experience; Symbolism; Art %@ 2178-1036 %X The present article has the objective of deepening the debate about the notion of musical experience, explaining the epistemological aspects of a philosophical interpretation that we call symbolic-transcendental. It is the theoretical project initiated by Ernst Cassirer, and taken up by Susanne Langer, who argues that the manifestations of Culture are particular symbolic forms, namely: knowledge, language, myth, religion and art, from which it is possible to the human spirit to mean the real in an objective way. The capacity to symbolize, in turn, is constituted as a result of an operative function, transcendental and valid a priori, which is the foundational aspect that marks the difference between men and animals, for example. In order for the musical experience to be understood in terms of the symbolic-transcendental interpretation that we will construct here, we will undertake an argumentative course whose three central moments are: i) the understanding of art as a particular symbolic form, ii) the distinction between art and language as symbolic forms and as a necessary condition for the theory of art of Susanne Langer and iii) the constitutive aspects of musical experience (signification, production and reception). %C BRA %G pt %9 Zeitschriftenartikel %W GESIS - http://www.gesis.org %~ SSOAR - http://www.ssoar.info