dc.contributor.author | De Azevedo Junior, Ivanio Lopes | de |
dc.date.accessioned | 2020-02-27T12:20:24Z | |
dc.date.available | 2020-02-27T12:20:24Z | |
dc.date.issued | 2019 | de |
dc.identifier.issn | 2178-1036 | de |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/66704 | |
dc.description.abstract | The present article has the objective of deepening the debate about the notion of musical experience, explaining the epistemological aspects of a philosophical interpretation that we call symbolic-transcendental. It is the theoretical project initiated by Ernst Cassirer, and taken up by Susanne Langer, who argues that the manifestations of Culture are particular symbolic forms, namely: knowledge, language, myth, religion and art, from which it is possible to the human spirit to mean the real in an objective way. The capacity to symbolize, in turn, is constituted as a result of an operative function, transcendental and valid a priori, which is the foundational aspect that marks the difference between men and animals, for example. In order for the musical experience to be understood in terms of the symbolic-transcendental interpretation that we will construct here, we will undertake an argumentative course whose three central moments are: i) the understanding of art as a particular symbolic form, ii) the distinction between art and language as symbolic forms and as a necessary condition for the theory of art of Susanne Langer and iii) the constitutive aspects of musical experience (signification, production and reception). | de |
dc.language | pt | de |
dc.subject.ddc | Philosophie | de |
dc.subject.ddc | Philosophy | en |
dc.subject.other | Musical Experience; Symbolism; Art | de |
dc.title | A experiência musical e a interpretação simbólico-transcendental a partir de Ernst Cassirer e Susanne Langer | de |
dc.title.alternative | Musical experience and symbolic-transcendental in Ernst Cassirer and Susanne Langer | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | Griot: Revista de Filosofia | |
dc.source.volume | 19 | de |
dc.publisher.country | BRA | |
dc.source.issue | 3 | de |
dc.subject.classoz | Philosophie, Theologie | de |
dc.subject.classoz | Philosophy, Ethics, Religion | en |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
dc.source.pageinfo | 230-246 | de |
internal.identifier.classoz | 30100 | |
internal.identifier.journal | 1416 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 100 | |
dc.identifier.doi | https://doi.org/10.31977/grirfi.v19i3.1224 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.pdf.wellformed | true | |
internal.pdf.encrypted | false | |
ssoar.urn.registration | false | de |