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dc.contributor.authorJabbari, Mohsende
dc.contributor.authorBeyad, Maryam Soltande
dc.date.accessioned2018-07-02T08:09:44Z
dc.date.available2018-07-02T08:09:44Z
dc.date.issued2015de
dc.identifier.issn2300-2697de
dc.identifier.urihttp://www.scipress.com/ILSHS.45.24.pdf
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/57778
dc.description.abstractAs feminist re-writings of the genre of crime fiction (mostly the hard-boiled) from the 1980s onward, Sara Paretsky's Warshawski novels provide a fertile field for critical and cultural studies. The aims of this paper are twofold: first, it traces the generic influences on her latest novel Breakdown (2012) beyond the obvious male precursors of the hard-boiled (Dashiell Hammett and Raymond Chandler) of the interwar period to the Gothic vogue in the early 19th century; and second, drawing on Roland Barthes's notion of readerly/writerly texts, Pierre Macherey’s critique of ideology in realist fiction, and Fredric Jameson's dialectical view of genre, it teases out the symptomatic fissures and contradictions in Paretsky's novel which betray the text’s inability to ultimately resist the ideology it intends to subvert.en
dc.languageende
dc.subject.ddcSoziologie, Anthropologiede
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcSozialwissenschaften, Soziologiede
dc.subject.ddcSocial sciences, sociology, anthropologyen
dc.titleFeminism and the hard-boiled genre: breakdown in Sara Paretsky's breakdownde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalInternational Letters of Social and Humanistic Sciences
dc.publisher.countryCHE
dc.source.issue45de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozFrauen- und Geschlechterforschungde
dc.subject.classozWomen's Studies, Feminist Studies, Gender Studiesen
dc.subject.thesozLiteraturde
dc.subject.thesozliteratureen
dc.subject.thesozKriminalromande
dc.subject.thesozdetective novelen
dc.subject.thesozRealismusde
dc.subject.thesozrealismen
dc.subject.thesozFiktionde
dc.subject.thesozfiction (imagination)en
dc.subject.thesozFeminismusde
dc.subject.thesozfeminismen
dc.subject.thesozIdeologiede
dc.subject.thesozideologyen
dc.subject.thesozGenrede
dc.subject.thesozgenreen
dc.identifier.urnurn:nbn:de:0168-ssoar-57778-1
dc.rights.licenceCreative Commons - Namensnennung 4.0de
dc.rights.licenceCreative Commons - Attribution 4.0en
internal.statusformal und inhaltlich fertig erschlossende
internal.identifier.thesoz10035991
internal.identifier.thesoz10050078
internal.identifier.thesoz10056010
internal.identifier.thesoz10069159
internal.identifier.thesoz10043409
internal.identifier.thesoz10039894
internal.identifier.thesoz10063500
dc.type.stockarticlede
dc.type.documentZeitschriftenartikelde
dc.type.documentjournal articleen
dc.source.pageinfo24-34de
internal.identifier.classoz10216
internal.identifier.classoz20200
internal.identifier.journal1120
internal.identifier.document32
internal.identifier.ddc301
internal.identifier.ddc300
dc.identifier.doihttps://doi.org/10.18052/www.scipress.com/ILSHS.45.24de
dc.description.pubstatusVeröffentlichungsversionde
dc.description.pubstatusPublished Versionen
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencexml-database-57@@3
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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