dc.contributor.author | Hemmati, Shiva | de |
dc.contributor.author | Moslemi, Amir Abbas | de |
dc.date.accessioned | 2018-05-23T08:01:57Z | |
dc.date.available | 2018-05-23T08:01:57Z | |
dc.date.issued | 2015 | de |
dc.identifier.issn | 2300-2697 | de |
dc.identifier.uri | http://www.scipress.com/ILSHS.52.55.pdf | |
dc.identifier.uri | https://www.ssoar.info/ssoar/handle/document/57302 | |
dc.description.abstract | This study tries to expand the richness of Bakhtin's theory of novel by showing the reader that its thorough features could be traced back in a play rather than a novel, considering it more than what is usually the basis of "historical poetics" mainly in the form of a novel accentuating the constitution of a social ideology besides an individual one while gesturing dialogically in the interaction between representation in its textual form and particularities of its proper probable forces in their socio-historical stratifications within notions such as dialogism, intertextuality, heteroglossia and polyphony. To do so a successful Irish play of exuberance is invited to be served by a thinker from the past Soviet. Since the references are written in an artistic language, a language near to a poetic one tries to tinker rationality to irrationality. In the light of O’Halloran's eccentric nostalgia which tries to handle a play all in all monologically from the voice of just a single character, one may seem to be listening to the symphony of Bakhtin's polyphonic heteroglossia stratified within the architectonics of both authors' interillumination. | en |
dc.language | en | de |
dc.subject.ddc | Soziologie, Anthropologie | de |
dc.subject.ddc | Sociology & anthropology | en |
dc.subject.other | Intertextualität; Polyphonie; Joyce, J.; Monolog; O'Halloran, D. | de |
dc.title | Heteroglossia: Bakhtinian dialogism within a play's monologue | de |
dc.description.review | begutachtet (peer reviewed) | de |
dc.description.review | peer reviewed | en |
dc.source.journal | International Letters of Social and Humanistic Sciences | |
dc.publisher.country | CHE | |
dc.source.issue | 52 | de |
dc.subject.classoz | Kultursoziologie, Kunstsoziologie, Literatursoziologie | de |
dc.subject.classoz | Cultural Sociology, Sociology of Art, Sociology of Literature | en |
dc.subject.thesoz | Literatur | de |
dc.subject.thesoz | literature | en |
dc.subject.thesoz | Drama | de |
dc.subject.thesoz | drama | en |
dc.subject.thesoz | Irland | de |
dc.subject.thesoz | Ireland | en |
dc.subject.thesoz | Sprache | de |
dc.subject.thesoz | language | en |
dc.subject.thesoz | Russland | de |
dc.subject.thesoz | Russia | en |
dc.subject.thesoz | Dialog | de |
dc.subject.thesoz | dialogue | en |
dc.subject.thesoz | Text | de |
dc.subject.thesoz | text | en |
dc.rights.licence | Creative Commons - Namensnennung 4.0 | de |
dc.rights.licence | Creative Commons - Attribution 4.0 | en |
internal.status | formal und inhaltlich fertig erschlossen | de |
internal.identifier.thesoz | 10035991 | |
internal.identifier.thesoz | 10057162 | |
internal.identifier.thesoz | 10048086 | |
internal.identifier.thesoz | 10036028 | |
internal.identifier.thesoz | 10057012 | |
internal.identifier.thesoz | 10040996 | |
internal.identifier.thesoz | 10060183 | |
dc.type.stock | article | de |
dc.type.document | Zeitschriftenartikel | de |
dc.type.document | journal article | en |
dc.source.pageinfo | 55-60 | de |
internal.identifier.classoz | 10216 | |
internal.identifier.journal | 1120 | |
internal.identifier.document | 32 | |
internal.identifier.ddc | 301 | |
dc.identifier.doi | https://doi.org/10.18052/www.scipress.com/ILSHS.52.55 | de |
dc.description.pubstatus | Veröffentlichungsversion | de |
dc.description.pubstatus | Published Version | en |
internal.identifier.licence | 16 | |
internal.identifier.pubstatus | 1 | |
internal.identifier.review | 1 | |
internal.dda.reference | xml-database-50@@7 | |
ssoar.urn.registration | false | de |
internal.check.abstractlanguageharmonizer | CERTAIN | |
internal.check.languageharmonizer | CERTAIN_RETAINED | |