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World music and the search for difference

[journal article]

dc.contributor.authorHaynes, Jode
dc.date.accessioned2011-03-01T06:25:00Zde
dc.date.accessioned2012-08-30T04:47:42Z
dc.date.available2012-08-30T04:47:42Z
dc.date.issued2005de
dc.identifier.urihttp://www.ssoar.info/ssoar/handle/document/23020
dc.description.abstractWorld music has been immersed in a series of complex ethical, political and aesthetic debates since its emergence as a new musical category in the 1980s. These debates have been fuelled by competing perspectives that portray world music as either an exemplar of progressive cosmopolitan politics that foster cultural hybridity or as reinforcing fixed and unitary conceptions of difference through an essentializing representation of cultures.en
dc.languageende
dc.subject.othercosmopolitanism; cultural intermediaries; Englishness; ethnicity; hybridity; race;
dc.titleWorld music and the search for differenceen
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalEthnicitiesde
dc.source.volume5de
dc.source.issue3de
dc.identifier.urnurn:nbn:de:0168-ssoar-230200de
dc.date.modified2011-03-01T06:25:00Zde
dc.rights.licencePEER Licence Agreement (applicable only to documents from PEER project)de
dc.rights.licencePEER Licence Agreement (applicable only to documents from PEER project)en
ssoar.contributor.institutionhttp://www.peerproject.eu/de
internal.status-1de
dc.type.stockarticlede
dc.type.documentjournal articleen
dc.type.documentZeitschriftenartikelde
dc.source.pageinfo365-385
internal.identifier.journal110de
internal.identifier.document32
dc.identifier.doihttps://doi.org/10.1177/1468796805054961de
dc.description.pubstatusPostprinten
dc.description.pubstatusPostprintde
internal.identifier.licence7
internal.identifier.pubstatus2
internal.identifier.review1
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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